Saturday, March 28, 2020

Read White

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Little Tom the Sailor
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A Temperal and Eternal Bible 

Posted by Larry in Nov 2010; added picture and quotes. 

Speaking of the Bible in The Everlasting Gospel Blake wrote:

"Both read the Bible day & night
But thou readst black where I read white"

Too often people reading 'black' concern themselves with foolish questions such as "Did it really happen? Was Jonah really swallowed by the whale, or rather by the big fish?" But in Blake's vision that isn't the important thing. The important thing is "What does it mean?" The reader of the black book gets himself tied up in knots about the veracity or historicity of Jonah and his aquatic friend.


Blake shows you the Jonah in your psyche and helps you get some grasp of what the turbulent sea means to you personally. It's experiential, exciting! it puts you in touch with reality! Literal or symbolic is black or white, and probably the two minds will never meet. At this point I simply urge you to join Blake and read white:
    "Why is the Bible more Entertaining & Instructive than any other book? Is it not because [it is] addressed to the Imagination which is Spiritual Sensation, and but mediately to the Understanding or Reason?"
    (Letter To Trusler; Erdman 702-3)
Blake ascribes this imaginative faculty to his hero, Los;
    "He could controll the times & seasons & the days & years."
    [And Los says of himself:]
    I am that Shadowy Prophet who Six Thousand Years ago
    Fell from my station in the Eternal bosom. Six Thousand Years
    Are finish'd. I return! both Time & Space obey my will.
    I in Six Thousand Years walk up and down; for not one Moment
    Of Time is lost, nor one Event of Space unpermanent,
    But all remain: every fabric of Six Thousand Years
    Remains permanent, tho' on the Earth where Satan
    Fell and was cut off, all things vanish & are seen no more,
    They vanish not from me & mine, we guard them first & last.
    The generations of men run on in the tide of Time,
    But leave their destin'd lineaments permanent for ever & ever."
    (The Four Zoas [Night 1], 9.27, and Milton 22:15-25; Erdman 305 and 116)
Like Los Blake walks up and down the biblical scene from Adam to John of Patmos. He takes what best serves his purpose, or rather the biblical symbols rearrange themselves kaleidoscopically into his visions of Eternity. These together add up to a cogent and provocative commentary on the Bible and on its child, the Christian faith.
 
Out of this intuitive unconscious process arose the great themes of his faith, embodied in his art: the universal man, fallen and fractured, struggling, redeemed and returning in the fullness of time into the blessed Unity from which he came. This is the essential story of the Bible for one who reads it whole and without the constraints and blinders of what I have called the black book.

Four Zoas, Night VIII, Page 114 [110], (E 385)
"The Lamb of God has rent the Veil of Mystery soon to return
In Clouds & Fires around the rock & the Mysterious tree
As the seed waits Eagerly watching for its flower & fruit
Anxious its little soul looks out into the clear expanse
To see if hungry winds are abroad with their invisible army 
So Man looks out in tree & herb & fish & bird & beast
Collecting up the scatterd portions of his immortal body
Into the Elemental forms of every thing that grows
He tries the sullen north wind riding on its angry furrows
The sultry south when the sun rises & the angry east 
When the sun sets when the clods harden & the cattle stand
Drooping & the birds hide in their silent nests. he stores his thoughts
As in a store house in his memory he regulates the forms
Of all beneath & all above   & in the gentle West
Reposes where the Suns heat dwells   he rises to the Sun
And to the Planets of the Night & to the stars that gild
The Zodiac & the stars that sullen stand to north & south
He touches the remotest pole & in the Center weeps
That Man should Labour & sorrow & learn & forget & return
To the dark valley whence he came to begin his labours anew
In pain he sighs in pain he labours in his universe
Screaming in birds over the deep & howling in the Wolf
Over the slain & moaning in the cattle & in the winds
And weeping over Orc & Urizen in clouds & flaming fires  
And in the cries of birth & in the groans of death his voice 
Is heard throughout the Universe whereever a grass grows
Or a leaf buds   The Eternal Man is seen is heard   is felt
And all his Sorrows till he reassumes his ancient bliss

Such are the words of Ahania & Enion. Los hears & weeps"  

Annotations to Watson, (E 617)
"Prophets in the modern sense of the word have never existed
Jonah was no prophet in the modern sense for his prophecy of
Nineveh failed   Every honest man is a Prophet he utters his
opinion both of private & public matters/Thus/If you go on So/the
result is So/He never says such a thing shall happen let you do
what you will. a Prophet is a Seer not an Arbitrary Dictator.  
It is mans fault if God is not able to do him good. for he gives
to the just & to the unjust but the unjust reject his gift"

Poetical Sketches, (E 415)
           "SONG.
Memory, hither come,
  And tune your merry notes;
And, while upon the wind,
  Your music floats,
I'll pore upon the stream,
Where sighing lovers dream,      
And fish for fancies as they pass
Within the watery glass.

I'll drink of the clear stream,
  And hear the linnet's song;      
And there I'll lie and dream
  The day along:
And, when night comes, I'll go
  To places fit for woe;
Walking along the darken'd valley,   
  With silent Melancholy.


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