Wednesday, September 18, 2024

BLAKE & DREAMS 6

Fitzwilliam Museum
Paradise Regained
Christ's troubled sleep

Paradise Regained, Book 4
John Milton

"The Kingdoms of the world to thee I give;
For giv'n to me, I give to whom I please,
No trifle; yet with this reserve, not else, [ 165 ]
On this condition, if thou wilt fall down,
And worship me as thy superior Lord,
Easily done, and hold them all of me;
For what can less so great a gift deserve?
Whom thus our Saviour answer'd with disdain. [ 170 ]
I never lik'd thy talk, thy offers less,
Now both abhor, since thou hast dar'd to utter
The abominable terms, impious condition;
But I endure the time, till which expir'd,
Thou hast permission on me. It is written [ 175 ]
The first of all Commandments, Thou shalt worship
The Lord thy God, and only him shalt serve;
And dar'st thou to the Son of God propound
To worship thee accurst, now more accurst
For this attempt bolder then that on Eve, [ 180 ]
And more blasphemous? which expect to rue
...
So saying, he took (for still he knew his power
Not yet expir'd) and to the Wilderness [ 395 ] 
Brought back the Son of God, and left him there,
Feigning to disappear. Darkness now rose,
As day-light sunk, and brought in lowring night
Her shadowy off-spring, unsubstantial both,
Privation meer of light and absent day. [ 400 ]
Our Saviour meek and with untroubl'd mind
After his aerie jaunt, though hurried sore,
Hungry and cold betook him to his rest,
Wherever, under some concourse of shades
Whose branching arms thick intertwin'd might shield [ 405 ]
From dews and damps of night his shelter'd head,
But shelter'd slept in vain, for at his head
The Tempter watch'd, and soon with ugly dreams
Disturb'd his sleep; and either Tropic now
'Gan thunder; and both ends of Heav'n, the Clouds [ 410 ]
From many a horrid rift abortive pour'd
Fierce rain with lightning mixtwater with fire
In ruine reconcil'd: nor slept the winds
Within thir stony caves, but rush'd abroad
From the four hinges of the world, and fell [ 415 ]
On the vext Wilderness, whose tallest Pines,
Though rooted deep as high, and sturdiest Oaks
Bow'd thir Stiff necks, loaden with stormy blasts,
Or torn up sheer: ill wast thou shrouded then,
O patient Son of God, yet only stood'st [ 420 ]
Unshaken; nor yet staid the terror there,
Infernal Ghosts, and Hellish Furies, round
Environ'd thee, some howl'd, some yell'd, some shriek'd,
Some bent at thee their fiery dartswhile thou
Sat'st unappall'd in calm and sinless peace." [ 425 ]


It seems that Milton knew that Satan would not approach Jesus only through his ego - through his conscious mind - but would access the unconscious where fears, failures, and hidden secrets might be stored. In Paradise Regained through troubled dreams Jesus was exposed to disturbing events which threatened his calm. Although Milton wrote of natural events of storms, terrors, furries, and fiery darts, Blake pictured a dream of a dark, demented God releasing monstrous serpents.

Blake showed a terrifying aspect of God being encountered in the dream. Later when Blake made illustrations for the book of Job, he pictured on page 11 the frightening event of seeing God as an evil, angry being entwined by a serpent, and surrounded by the elements being released in all their power. When Blake portrayed the 'troubled sleep' of Jesus he showed a weak God who appeared to be more a victim than a victimizer. The ugly God was no threat to Jesus who knew himself to be under the protection of a loving God who is wise, and kind and good and who shielded him from the dark forces such as those which welled up from Job's unconscious.

Jerusalem Bible
Job 33: 14-30
God speaks first in one way, and then in another, but not one notices. He speaks by dreams, and visions that come in the night, when slumber comes on mankind, and men are all asleep in bed. Then it is he whispers in the ear of man, or may frighten him with fearful sights, to turn him away from evil-doing, and make an end of his pride; to save his soul from the pit and his life from the pathway to Sheol. With suffering, too, he corrects man on his sickbed, when his bones keep trembling with palsy; when his whole self is revolted by food, and his appetite spurns dainties; when his flesh rots as you watch it, and his bare bones begin to show; when his soul is drawing near to the pit, and his life to the dwelling of the dead. Then there is an Angel by his side, a Mediator, chosen out of thousands, to remind a man where his duty lies, to take pity on him and to say, "Release him from descent into the pit, for I have found a ransom for his life"; his flesh recovers the bloom of its youth, he lives again as he did when he was young. He prays to God who has restored him to favor, and comes, in happiness, to see his face. He publishes far and wide the news of his vindication, singing before his fellow men this hymn of praise, "I sinned and left the path of right, but God has not punished me as my sin deserved. He has spared my soul from going down into the pit, and is allowing my life to continue in the light." All this God does again and yet again for man, rescuing his soul from the pit, and letting the light of life shine bright on him.
Songs of Innocence and of Experience, Song 5, (E 7)  
"The Shepherd.
How sweet is the Shepherds sweet lot,
From the morn to the evening he strays:
He shall follow his sheep all the day
And his tongue shall be filled with praise.

For he hears the lambs innocent call,
And he hears the ewes tender reply,
He is watchful while they are in peace,
For they know when their Shepherd is nigh."

Songs of Experience, Song 34, (E 20)
"The Little Girl Lost
...
Sweet sleep come to me
Underneath this tree;
Do father, mother weep.--
Where can Lyca sleep.

Lost in desart wild
Is your little child.
How can Lyca sleep,
If her mother weep.

If her heart does ake, 
Then let Lyca wake;
If my mother sleep,
Lyca shall not weep.

Frowning frowning night,
O'er this desart bright,
Let thy moon arise,
While I close my eyes.

Sleeping Lyca lay;
While the beasts of prey,

Come from caverns deep, 
View'd the maid asleep

The kingly lion stood
And the virgin view'd,
Then he gambold round
O'er the hallowd ground;

SONGS 35
Leopards, tygers play,
Round her as she lay;
While the lion old,
Bow'd his mane of gold.

And her bosom lick,
And upon her neck,
From his eyes of flame,
Ruby tears there came;

While the lioness,
Loos'd her slender dress,
And naked they convey'd
To caves the sleeping maid."  

Look closely at the lower right hand corner of this image for Paradise Regained and you will see that Blake included the head of a lion. Blake was indicating that the protection of the lion would be manifest when fearful, threating dark forces make their appearance.

Marriage of Heaven and Hell, Plate 8, (E 36)

"The roaring of lions, the howling of wolves, the raging of the
    stormy sea,    and the destructive sword. are portions of
    eternity too great for the eye of man."    

How Firm a Foundation
1
How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent word!
What more can He say than to you He hath said,
To you who for refuge to Jesus have fled?
2
“Fear not, I am with thee, O be not dismayed,
For I am thy God, and will still give thee aid;
I’ll strengthen thee, help thee, and cause thee to stand,
Upheld by My righteous, omnipotent hand.”
3
“When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be with thee, thy troubles to bless,
And sanctify to thee thy deepest distress.”
4
“When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume, and thy gold to refine.”
5
“E’en down to old age all My people shall prove
My sovereign, eternal, unchangeable love;
And then, when grey hairs shall their temples adorn,
Like lambs they shall still in My bosom be borne.”
6
“The soul that on Jesus hath leaned for repose,
I will not, I will not desert to his foes;
That soul, though all hell should endeavor to shake,
I’ll never, no, never, no, never forsake!”
.

Friday, September 13, 2024

BLAKE & DREAMS 5

  In the Book of Daniel we read that Nebuchadnezzar, the King of Babylon, has had a dream of which he did not know the interpretation. Daniel, a  captive of Judah, revealed that in the dream  Nebuchadnezzar is represented by the head of gold, and that silver, brass, iron, and clay represent  a decline in the strength of the kingdom. Inferior kingdoms shall riegn until "God of heaven set up a kingdom, which shall never be destroyed." Nebuchadnezzar conceded that Daniel's God  "is a God of gods, and a Lord of kings, and a revealer of secrets"

Daniel, Chapter 2

[3] And the king said unto them, I have dreamed a dream, and my spirit was troubled to know the dream.

[16] Then Daniel went in, and desired of the king that he would give him time, and that he would shew the king the interpretation.
[19] Then was the secret revealed unto Daniel in a night vision. Then Daniel blessed the God of heaven.
[25] Then Arioch brought in Daniel before the king in haste and said thus unto him, I have found a man of the captives of Judah, that will make known unto the king the interpretation.
[28] But there is a God in heaven that revealeth secrets, and maketh known to the king Nebuchadnezzar what shall be in the latter days. Thy dream, and the visions of thy head upon thy bed, are these;
[31] Thou, O king, sawest, and behold a great image. This great image, whose brightness was excellent, stood before thee; and the form thereof was terrible.
[32This image's head was of fine gold, his breast and his arms of silver, his belly and his thighs of brass,
[33] His legs of iron, his feet part of iron and part of clay.
[36] This is the dream; and we will tell the interpretation thereof before the king.
[37Thou, O king, art a king of kings: for the God of heaven hath given thee a kingdom, power, and strength, and glory.
[38] And wheresoever the children of men dwell, the beasts of the field and the fowls of the heaven hath he given into thine hand, and hath made thee ruler over them all. Thou art this head of gold.
[39] And after thee shall arise another kingdom inferior to thee, and another third kingdom of brass, which shall bear rule over all the earth.
[40] And the fourth kingdom shall be strong as iron: forasmuch as iron breaketh in pieces and subdueth all things: and as iron that breaketh all these, shall it break in pieces and bruise.
[41] And whereas thou sawest the feet and toes, part of potters' clay, and part of iron, the kingdom shall be divided; but there shall be in it of the strength of the iron, forasmuch as thou sawest the iron mixed with miry clay.
[42] And as the toes of the feet were part of iron, and part of clay, so the kingdom shall be partly strong, and partly broken.
[43] And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay.
[44] And in the days of these kings shall the God of heaven set up a kingdom, which shall never be destroyed: and the kingdom shall not be left to other people, but it shall break in pieces and consume all these kingdoms, and it shall stand for ever.
[45] Forasmuch as thou sawest that the stone was cut out of the mountain without hands, and that it brake in pieces the iron, the brass, the clay, the silver, and the gold; the great God hath made known to the king what shall come to pass hereafter: and the dream is certain, and the interpretation thereof sure.
[46] Then the king Nebuchadnezzar fell upon his face, and worshipped Daniel, and commanded that they should offer an oblation and sweet odours unto him.
[47The king answered unto Daniel, and said, Of a truth it is, that your God is a God of gods, and a Lord of kings, and a revealer of secrets, seeing thou couldest reveal this secret.
[48] Then the king made Daniel a great man, and gave him many great gifts, and made him ruler over the whole province of Babylon, and chief of the governors over all the wise men of Babylon.


In the Divine Comedy Dante and Virgil encounter the figure which appeared in the Old Testament book of Daniel. 

From the National Gallery Victoria : Inferno XIV, 94-119: Dante and Virgil, in the third ring of the seventh circle, come across a blood-red stream. Dante explains that the rivers of Hell are formed by tears falling from the giant old man encased in the mountain of Ida on the island of Crete, the centre of the known world. For Dante this figure embodied the course of human history. His head is of gold, his arms and breast of silver, his lower abdomen brass, and below that he is of iron save that his right foot is of clay; this denotes the decay of the world from the Golden Age before the Fall to Dante's own time, the clay foot representing the degenerate church. Blake endows the figure with a crown, an orb and a sceptre to show that in his view the decay of the world was the result of political oppression - kingship and tyranny."

National Gallery of Victoria
The Symbolic Figure of the Course of Human History Described by Virgil.

In The Blake Disctionary, Damon gives additional information: "Empires rise and fall. The golden head may represent Babylon, the silver arms and torso: Empire of Medes and Persians; the brass loins: Greece; the iron legs: Rome; and the feet of iron and clay: Europe."

The appearance of the imagery of Nebuchadnezzar's dream in various contexts may suggests that it represents an archetypal dream. 

Saturday, September 07, 2024

BLAKE & DREAMS 4

First published Oct 2012

MILTON IL PENSEROSO V

In his manuscript notes accompanying his watercolors Blake singles out these verses from Milton for his fifth illustration to Il Penseroso

Descriptions of Illustrations to Milton's L'Allegro and Il Penseroso (E 684)


"There in close covert by some Brook 
Where no profaner Eye may look 
With such concert as they keep 
Entice the dewy featherd Sleep 
And let some strange mysterous 
Dream Wave on his Wings in airy stream 
Of liveliest Portraiture displayd 
On my Sleeping eyelids laid 
And as I wake sweet Music breathe 
Above; about: or underneath: 
Sent by some Spirit to Mortals good 
Or the unseen Genius of the Wood" 

Blake wrote: 
"Milton sleeping on a Bank. Sleep descending with a Strange Mysterious Dream upon his Wings of Scrolls & Nets & Webs unfolded by Spirits in the Air & in the Brook around Milton are Six Spirits or Fairies hovering on the air with Instruments of Music" 

The wing of sleep dips into the water of materiality to bring images to Milton's dreaming self. Milton sleeps in what appears to be a grave; his hands cover his genitals warding off sexual involvement. 

The upper part of the picture is dominated by a circular rainbow in the center of which are the four fallen Zoas. The angel who brings the dream to Milton bears the Seven Eyes of God on his wings.

This illustration attempts to show a process of integration taking place. The dreaming man is receiving images from his unconscious which may resolve the conflicts which divide his psyche. He has the protection of the numinous forces to provide assistance in assimilating the experiences which have created entanglements in 'Scrolls & Nets & Webs'. He is surrounded in his sleep by 'his Sixfold Emanation' as 'Six Spirits or Fairies hovering on the air with Instruments of Music.'

The symbolic meaning of this illustration is closely related the conclusion of Blake's Milton and can be contrasted with the Epilogue to Gates of Paradise.
Milton, Plate 2, (E 96)
"Say first! what mov'd Milton, who walkd about in Eternity
One hundred years, pondring the intricate mazes of Providence
Unhappy tho in heav'n, he obey'd, he murmur'd not. he was silent
Viewing his Sixfold Emanation scatter'd thro' the deep In torment!" 
 
Milton, Plate 33 [36], (E 132)
"Behold Milton descended to Redeem the Female Shade
From Death Eternal; such your lot, to be continually Redeem'd
By death & misery of those you love & by Annihilation
When the Sixfold Female percieves that Milton annihilates
Himself: that seeing all his loves by her cut off: he leaves     
Her also: intirely abstracting himself from Female loves
She shall relent in fear of death: She shall begin to give
Her maidens to her husband: delighting in his delight
And then & then alone begins the happy Female joy"
 
Milton, Plate 40 [46], (E 141)
"Before Ololon Milton stood & percievd the Eternal Form
Of that mild Vision; wondrous were their acts by me unknown
Except remotely; and I heard Ololon say to Milton

I see thee strive upon the Brooks of Arnon."
 
Milton, Plate 41 [48], (E 143)
"Then trembled the Virgin Ololon & replyd in clouds of despair

Is this our Femin[in]e Portion the Six-fold Miltonic Female      
Terribly this Portion trembles before thee O awful Man
Altho' our Human Power can sustain the severe contentions
Of Friendship, our Sexual cannot: but flies into the Ulro.
Hence arose all our terrors in Eternity! & now remembrance
Returns upon us! are we Contraries O Milton, Thou & I            
O Immortal! how were we led to War the Wars of Death
Is this the Void Outside of Existence, which if enterd into

Plate 42 [49]       
Becomes a Womb? & is this the Death Couch of Albion
Thou goest to Eternal Death & all must go with thee

So saying, the Virgin divided Six-fold & with a shriek
Dolorous that ran thro all Creation a Double Six-fold Wonder! 
Away from Ololon she divided & fled into the depths              
Of Miltons Shadow as a Dove upon the stormy Sea.

Then as a Moony Ark Ololon descended to Felphams Vale
In clouds of blood, in streams of gore, with dreadful thunderings
Into the Fires of Intellect that rejoic'd in Felphams Vale
Around the Starry Eight: with one accord the Starry Eight became 
One Man Jesus the Saviour. wonderful! round his limbs
The Clouds of Ololon folded as a Garment dipped in blood
Written within & without in woven letters: & the Writing
Is the Divine Revelation in the Litteral expression:
A Garment of War, I heard it namd the Woof of Six Thousand Years 

And I beheld the Twenty-four Cities of Albion
Arise upon their Thrones to Judge the Nations of the Earth
And the Immortal Four in whom the Twenty-four appear Four-fold
Arose around Albions body: Jesus wept & walked forth
From Felphams Vale clothed in Clouds of blood, to enter into     
Albions Bosom, the bosom of death & the Four surrounded him
In the Column of Fire in Felphams Vale; then to their mouths the Four
Applied their Four Trumpets & them sounded to the Four winds" 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 
We went to the tennis court early this morning as usual but found something unusual: a moth clinging to the fence behind the court. Since I remembered from long ago that this was a particularly beautiful species of moth, I went for a closer look. I remembered the color - a pale luminous green, and the form - graceful wings with extended tails, but I had forgotten another feature - small well articulated 'eyes' on the wings. Since I had been looking at the wings of sleep covered with the Eyes of God, I was astonished to find eyes on the wings of a Luna moth. The name of the moth connects it with the moon, the feminine and Beulah. So Milton's Mysterious Dream is not far removed from the commonplace of ordinary life.

Monday, September 02, 2024

BLAKE & DREAMS 3

 Katharine of Aragon was the first wife of Henry VIII of England. He attempted to have the marriage annuled in order to marry Anne Boleyn. When the Pope refused to grant an annulment, a schism developed between England and the Catholic Church. Catherine died at Kimbolton Castle on 7 January 1536

Fitzwilliam Museum
Queen Katharine Drean
circa 1783 to 1790

Blake's picture titled Queen Katharine's Dream is an illustration to lines from William Shakespeare's play Henry VII. Blake choose to illustrate lines from the play which echo his own feelings. As Katharine of Aragon the first wife of Henry lies on her deathbed she reports a dream which she had of the glorious world which awaited her.

Henry VIII , Scene IV
"KATHARINE
No? Saw you not, even now, a blessed troop
Invite me to a banquet; whose bright faces
Cast thousand beams upon me, like the sun?
They promised me eternal happiness;
And brought me garlands, Griffith, which I feel
I am not worthy yet to wear: I shall, assuredly.
GRIFFITH
I am most joyful, madam, such good dreams
Possess your fancy."

Blake painted illustrations for this scene at least three times. A earliest image of the scene resides in the Fitzwilliam Museum, Cambridge and is dated between 1783 and 1790. Look for motifs from Visions of the Daughters of Albion, Blake's lithograph of Enoch, and Plate 33 (37) of Jerusalem in this painting. Shown here are the later images.

British Museum, London (dated 1809).................
National Gallery, Washington
                                                                              (dated 1825)


Saturday, August 10, 2024

BLAKE & DREAMS 2

THE PILGRIMS PROGRESS
FROM THIS WORLD
TO THAT WHICH IS TO COME
DELIVERED 
UNDER THE SIMILITUDE
OF A DREAM
By John Bunyan's with an introduction by John T. Winterich
Illustrated with Water-colors by WILLIAM BLAKE  

 Pilgrim's Dream

"As I walked through the wilderness of this world, I came upon a certain place, where there was a den—and I laid down in that place to sleep. And as I slept, I dreamed a dream. I dreamed, and, behold—I saw a man clothed with rags, standing with his face turned away from his own house, with a Book in his hand, and a great burden upon his back. I looked, and saw him open the Book, and read therein; and as he read, he wept and trembled! And not being able to contain himself any longer—he broke out with a lamentable cry, saying, 'What shall I do?'"

Blake portrays three level in his image:

The dream which is a vehicle through which the dreamer may gain access to levels of consciousness below his ego consciousness.

Sleeping which is a necessary condition which allows the brain to be activated in such a way that unconscious content surfaces.

The unconscious which may release supressed material as well as well as activate protections which prevent damage.

Blake knew that listening to one's dreams was a way of getting in touch with the aspects of the psyche which are not ordinarily accessable. When Blake illustrated Pilgrim's Progress which was written as a sequence of episodes in Bunyan's dream, he reached into his unconscious to make known what may have been opaque in Bunyan's allegory. Bunyan did not focus on the dream state itself but in Blake's first illustration he revealed that the dreamer is subject to levels of consciousness different from those of waking experience. 

The sleeping pilgrim is not reconstructing memories but reliving incidents in his life which fit into a pattern through which a pilgrim travels. In the upper level of the picture Blake faintly represents the episodes through the pilgrim will travel in Bunyan's dream. The dreamer who lies asleep bears no resemblemce to the  pilgrim who will undertake the journey. Beneath the dreamer lies a sleeping lion. Blake used a lion as a symbol for the love and protection which is afforded to the innocent lamb who is vulnerable to the wrath of the wolf who would do him harm.

    
Milton, PLATE 15 [17], (E 109)
"As when a man dreams, he reflects not that his body sleeps,
Else he would wake; so seem'd he entering his Shadow: but
With him the Spirits of the Seven Angels of the Presence
Entering; they gave him still perceptions of his Sleeping Body;
Which now arose and walk'd with them in Eden, as an Eighth   
Image Divine tho' darken'd; and tho walking as one walks
In sleep; and the Seven comforted and supported him.

Like as a Polypus that vegetates beneath the deep!
They saw his Shadow vegetated underneath the Couch
Of death: for when he enterd into his Shadow: Himself:           
His real and immortal Self: was as appeard to those
Who dwell in immortality, as One sleeping on a couch
Of gold; and those in immortality gave forth their Emanations
Like Females of sweet beauty, to guard round him & to feed
His lips with food of Eden in his cold and dim repose!           

But to himself he seemd a wanderer lost in dreary night.
Onwards his Shadow kept its course among the Spectres; call'd
Satan, but swift as lightning passing them, startled the shades
Of Hell beheld him in a trail of light as of a comet
That travels into Chaos: so Milton went guarded within." 
Songs and ballads, (E 486)     
"The Land of Dreams

Awake awake my little Boy
Thou wast thy Mothers only joy
Why dost thou weep in thy gentle sleep
Awake thy Father does thee keep

O what Land is the Land of Dreams     
What are its Mountains & what are its Streams
O Father I saw my Mother there
Among the Lillies by waters fair

Among the Lambs clothed in white
She walkd with her Thomas in sweet delight   
I wept for joy like a dove I mourn
O when shall I again return

Dear Child I also by pleasant Streams
Have wanderd all Night in the Land of Dreams
But tho calm & warm the Waters wide  
I could not get to the other side

Father O Father what do we here
In this Land of unbelief & fear
The Land of Dreams is better far
Above the light of the Morning Star"   


In Dark Figures in the Desired Country, Gerda Norvig makes this statement about the healing powers which are called forth when one engages in the process of individuation:
"Blake seems to be giving here graphic expression to a common psychological rule that goes beyond Bunyan's: the rule that active differentiation of the contents of the dark side of the self precedes spiritual assistance, but also literally creates a space for the healing powers of the psyche to move into as they well up from archetypal dimensions recognized as existing deep in the background of our mental landscape." (Page 148)

Damon, A Blake Dictionary

"The Lion is commonly known as the protector of the Lamb...the Lion's warth is particulrly directed against the wolves who prey upon the flocks.
...
The Lion is spiritual wrath, inspired by pity...while the Tyger's blind warth is purely emotional." (Page 242)


Wednesday, August 07, 2024

BLAKE & DREAMS 1

Illustrations to Young's Night Thoughts

“The dream is the small hidden door in the deepest and most intimate sanctum of the soul, which opens to that primeval cosmic night that was soul long before there was conscious ego and will be soul far beyond what a conscious ego could ever reach.” Carl Jung

The quote is from "The Meaning of Psychology for Modern Man" (1933) an essay by Carl Jung that was published in 1933 as the second part of his series “On Psychology.”

Pictured is the threefold materialized body - moving from the feet to the head we see:

Horses - body - energies -  Tharmas
Marriage of Heaven and Hell, Plate 4, (E 34) 
"2. Energy is the only life and is from the Body and Reason is
the bound or outward circumference of Energy.
3 Energy is Eternal Delight
Hunter -  loins - passions - (daughter of) Urizen
Ahania, Plate 2, (E 84)
"6: But the strong arm that sent it, remember'd
The sounding beam; laughing it tore through
That beaten mass: keeping its direction
The cold loins of Urizen dividing.

7: Dire shriek'd his invisible Lust                           
Deep groan'd Urizen! stretching his awful hand
Ahania (so name his parted soul)
He siez'd on his mountains of jealousy.
He groand anguishd & called her Sin,
Woman - heart - emotions - Luvah 
Four Zoas, Night VII ,Page 84, (E 359)
"This thou well rememberest listen I will tell
What thou forgettest. They in us & we in them alternate Livd  
Drinking the joys of Universal Manhood. One dread morn
Listen O vision of Delight One dread morn of goary blood
The manhood was divided for the gentle passions making way   
Thro the infinite labyrinths of the heart & thro the nostrils issuing
In odorous stupefaction stood before the Eyes of Man   
A female bright."
Owl - head - mind - Urthona

Jerusalem, Plate 82, (E 240)

"then they saw the Furna[c]es opend, & in tears
Began to give their souls away in the Furna[c]es of affliction.
Los saw & was comforted at his Furnaces uttering thus his voice. 

I know I am Urthona keeper of the Gates of Heaven,
And that I can at will expatiate in the Gardens of bliss;
But pangs of love draw me down to my loins which are
Become a fountain of veiny pipes: O Albion! my brother!
Plate 83
Corruptibility appears upon thy limbs, and never more  
Can I arise and leave thy side, but labour here incessant
Till thy awaking! yet alas I shall forget Eternity!"  

We are accustomed to thinking of the material outer world as having some independent existence. This is the exterior world mediated through consciousness. But the world of dreams is an internal world coming to us from the unconscious which exists within our psyches exclusively. The images which came to Blake existed first in his mind. He brought them from his unconscious and expressed them in symbolic language when they reached his conscious mind. 

We may recieve material which resides in our unconscious through dreaming but often it never reaches our consciousness. Blake had the uncanny ability to bring into the light material which primarily resides in the collective unconscious which we know primarily through archetypes. Blake's poetry and visual images can become an avenue through which we become acquainted with material which is hidden from us in our own unconscious minds. If we believe, as Blake did, that the world of thought is the real world, we have a key to that interior world through studying Blake.

Vision of Last Judgment, (E 565)

"Mental Things are alone Real what is Calld Corporeal Nobody Knows
of its Dwelling Place <it> is in Fallacy & its Existence an
Imposture  Where is the Existence Out of Mind or Thought Where is
it but in the Mind of a Fool." 

Tuesday, July 30, 2024

Reconcilation

 From Chapter Nine of Ram Horn'd with Gold by Larry Clayton

New York Public Library
Milton
Plate 25

For five plates in 'Milton' Blake extols
the World of Los, the sum total of imaginative creation, the art,
the culture, the decency that has raised mankind at times, if on-
ly momentarily, above the satanic level of a universe groaning in
travail.
Milton, Plate 26 [28], (E 123)
"These are the Sons of Los, & these the Labourers of the Vintage
Thou seest the gorgeous clothed Flies that dance & sport in summer
Upon the sunny brooks & meadows: every one the dance
Knows in its intricate mazes of delight artful to weave: 
Each one to sound his instruments of music in the dance,      
To touch each other & recede; to cross & change & return
These are the Children of Los; thou seest the Trees on mountains
The wind blows heavy, loud they thunder thro' the darksom sky
Uttering prophecies & speaking instructive words to the sons
Of men: These are the Sons of Los! These the Visions of Eternity 

But we see only as it were the hem of their garments
When with our vegetable eyes we view these wond'rous Visions
...And every Natural Effect has a Spiritual Cause, and Not
A Natural: for a Natural Cause only seems, it is a Delusion 
 Of Ulro: & a ratio of the perishing Vegetable Memory."

This brief description of 'Milton' has only touched on
a few of the most essential meanings of a poem that contains a
thousand facets. But one other thing needs to be said about
'Milton'. Among all the hidden riches to be sought out there
emerges the realization that 'Milton' also represents a beginning
of Blake's reconciliation with the Church that had suffered his
violent enmity through the years. 

Blake had held the Church in
low regard for two reasons: First, it had too much blood on its
hands; Second, he had always understood how far the Church had
failed to be what it was called to. John Milton had also refused
to affiliate with worldly (in Blake's terminology 'satanic') or-
ganizations which called themselves the Church. Still as spirit-
ual leader of the English people Milton represented the best of
the English Church. Reconciliation with him was for Blake (among
other things) a symbolic first step in forgiving "God's people" for
failing to be that in the truest sense. 

So he joined Milton in
confession, in self annihilation, in the forgiveness which had be-
come his new and only abiding concept of the meaning of God. Like
Milton he remained outside the established Church, but he chose to
be buried with the Anglican order of worship!


Monday, July 22, 2024

SENSES SHRINK

First posted May 2011 

An image that Blake uses for the Fall of Man (the division into duality or multiplicity), is presented as the limitation of man's sensory acuity. The senses of Eternity are flexible, expanding and contracting at will: their perceptions are infinite.

The Book of Urizen dramatizes the process of the infinite senses becoming the senses five that we recognize and enjoy today. It is not a happy sight to see the powers of Eternity being defined and limited into the narrow range of sight, sound, smell, and taste and touch to which we have access.

Book of Urizen, Plate 12, (E 76) 
Library of Congress
Book of Urizen
Copy G,  Plate 13
"8. In harrowing fear rolling round;
His nervous brain shot branches
Round the branches of his heart.
On high into two little orbs
And fixed in two little eaves
Hiding carefully from the wind,
His Eyes beheld the deep,
And a third Age passed over:
And a state of dismal woe.

9. The pangs of hope began,
In heavy pain striving, struggling.
Two Ears in close volutions.
From beneath his orbs of vision
Shot spiring out and petrified
As they grew. And a fourth Age passed
And a state of dismal woe.

PLATE 13
10. In ghastly torment sick;
Hanging upon the wind;
Two Nostrils bent down to the deep.
And a fifth Age passed over;
And a state of dismal woe.

11. In ghastly torment sick;
Within his ribs bloated round,
A craving Hungry Cavern;
Thence arose his channeld Throat,
And like a red flame a Tongue
Of thirst & of hunger appeard.
And a sixth Age passed over:
And a state of dismal woe.
...
PLATE 25, (E 82)
The Senses inward rush'd shrinking,
Beneath the dark net of infection.

2. Till the shrunken eyes clouded over
Discernd not the woven hipocrisy
But the streaky slime in their heavens
Brought together by narrowing perceptions
Appeard transparent air; for their eyes
Grew small like the eyes of a man
And in reptile forms shrinking together"

The inability to perceive reality shows itself in man's forgetting Eternity from which he originated. This limits his ability to discern the possibility of living as he is meant to live. His limited perceptions further cloud his mind to the distorted conditions which he becomes satisfied with living under in the world he has made for himself.

Letter to Truxler, (E 702)
"As a man is So he Sees.
As the Eye is formed such are its Powers"

We are limited in what we see by who we are; likewise we are limited in who we are by what we see. In our present circumstances the distortions of our perceptions cause us to accept war, imprisonment, impoverishment, exploitation, and destruction of the environment. Likewise we are diminished in our self-perception by what we see is happening around us. Cleansing the windows of perception is a way to alter the direction in which we are heading. Blake has the journey to regeneration begin by Los recognizing himself in his enemy Urizen. Our return journey can begin with a recognition that we are creating the self-destructing world in our own image. Healing ourselves can heal our world.

Marriage of Heaven and Hell, Plate 14, (E 39)
"If the doors of perception were cleansed every thing would
appear to man as it is: infinite.
For man has closed himself up, till he sees all things thro'
narrow chinks of his cavern."