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| Wikipedia Commons Fitzwilliam Museum Songs of Innocence and of Experience Plate 43 |
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| British Museum Jerusalem Copy A, Plate 6 Los and his Spectre |
"II Reason or the ratio of all we have already known. is not the same that it shall be when we know more."
No Natural Religion, (E 3)
"VII The desire of Man being Infinite the possession is Infinite
& himself Infinite"
Milton, Plate 26 [28], (E 124)
"So they are born on Earth, & every Class is determinate
But not by Natural but by Spiritual power alone, Because
The Natural power continually seeks & tends to Destruction
Ending in Death: which would of itself be Eternal Death
And all are Class'd by Spiritual, & not by Natural power.
And every Natural Effect has a Spiritual Cause, and Not
A Natural: for a Natural Cause only seems, it is a Delusion
Of Ulro: & a ratio of the perishing Vegetable Memory."
Jerusalem, Plate 8, (E 151)
"All the infant Loves & Graces were lost, for the mighty Hand
Plate 9
Condens'd his Emanations into hard opake substances;
And his infant thoughts & desires, into cold, dark, cliffs of death.
His hammer of gold he siezd; and his anvil of adamant.
He siez'd the bars of condens'd thoughts, to forge them:
Into the sword of war: into the bow and arrow:
Into the thundering cannon and into the murdering gun
I saw the limbs form'd for exercise, contemn'd: & the beauty of
Eternity, look'd upon as deformity & loveliness as a dry tree:
I saw disease forming a Body of Death around the Lamb
Of God, to destroy Jerusalem, & to devour the body of Albion
By war and stratagem to win the labour of the husbandman:
Awkwardness arm'd in steel: folly in a helmet of gold:
Weakness with horns & talons: ignorance with a rav'ning beak!
Every Emanative joy forbidden as a Crime:
And the Emanations buried alive in the earth with pomp of religion:
Inspiration deny'd; Genius forbidden by laws of punishment:
I saw terrified; I took the sighs & tears, & bitter groans:
I lifted them into my Furnaces; to form the spiritual sword.
That lays open the hidden heart: I drew forth the pang
Of sorrow red hot: I workd it on my resolute anvil:
I heated it in the flames of Hand, & Hyle, & Coban
Nine times; Gwendolen & Cambel & Gwineverra
Are melted into the gold, the silver, the liquid ruby,
The crysolite, the topaz, the jacinth, & every precious stone,
Loud roar my Furnaces and loud my hammer is heard:
I labour day and night, I behold the soft affections
Condense beneath my hammer into forms of cruelty
But still I labour in hope, tho' still my tears flow down.
That he who will not defend Truth, may be compelld to defend
A Lie: that he may be snared and caught and snared and taken
That Enthusiasm and Life may not cease: arise Spectre arise!
Thus they contended among the Furnaces with groans & tears;
Groaning the Spectre heavd the bellows, obeying Los's frowns;
Till the Spaces of Erin were perfected in the furnaces
Of affliction, and Los drew them forth, compelling the harsh Spectre."
Annotations to Reynolds, (E 660)
"They
mock Inspiration & Vision Inspiration & Vision was then & now
is & I hope will
always Remain my Element my Eternal Dwelling place. how can I
then hear it Contemnd without returning Scorn for Scorn"
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| British Museum
llustrations to Young's Night Thoughts
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| New York Public Library Milton Plate 30 |
Milton, Plate 30, (E 129)
[mirror writing)
"How wide the Gulf &
Unpassable! between Simplicity & Insipidity
Contraries are Positives
A Negation is not a Contrary"
Descriptive Catalogue, Page 21, (E 536)
"The Plowman is simplicity itself, with wisdom and strength
for its stamina. Chaucer has divided the ancient character of
Hercules between his Miller and his Plowman. Benevolence is the
plowman's great characteristic, he is thin with excessive labour,
and not with old age, as some have supposed."
Letters, To Flaxman, (E 710)
"Dear Sculptor of Eternity
We are safe arrived at our Cottage which is more beautiful
than I thought it. & more convenient. It is a perfect Model for
Cottages & I think for Palaces of Magnificence only Enlarging not
altering its proportions & adding ornaments & not principals.
Nothing can be more Grand than its Simplicity & Usefulness.
Simple without Intricacy it seems to be the Spontaneous Effusion
of Humanity congenial to the wants of Man. No other formed House
can ever please me so well nor shall I ever be perswaded I
believe that it can be improved either in Beauty or Use"
Letters, To Butts, (E 733)
"Dear Sir This perhaps was sufferd to Clear up some doubts &
to give opportunity to those whom I doubted to clear themselves
of all imputation. If a Man offends me ignorantly & not
designedly surely I ought to consider him with favour &
affection. Perhaps the simplicity of myself is the origin of all
offences committed against me. If I have found this I shall have
learned a most valuable thing well worth three years
perseverance. I have found it! It is certain! that a too
passive manner. inconsistent with my active physiognomy had done
me much mischief I must now express to you my conviction that all
is come from the spiritual World for Good & not for Evil."
Letters, To Trusler, (E 702)
"But
you ought to know that What is Grand is necessarily obscure to
Weak men. That which can be made Explicit to the Idiot is not
worth my care. The wisest of the Ancients considerd what is not
too Explicit as the fittest for Instruction because it rouzes the
faculties to act. I name Moses Solomon Esop Homer Plato"
Letters, To Cumberland, (E 703)
"I ought long ago to have written to you to thank you for
your kind recommendation to Dr Trusler which tho it has faild of
success is not the less to be rememberd by me with Gratitude--
I have made him a Drawing in my best manner he has sent it
back with a Letter full of Criticisms in which he says it accords
not with his Intentions which are to Reject all Fancy from his
Work. How far he Expects to please I cannot tell. But as I
cannot paint Dirty rags & old Shoes where I ought to place Naked
Beauty or simple ornament. I despair of Ever pleasing one Class
of Men--Unfortunately our authors of books are among this Class
how soon we Shall have a change for the better I cannot Prophecy."
Jerusalem, Plate 55, (E 205)
"They Plow'd in tears, the trumpets sounded before the golden Plow
And the voices of the Living Creatures were heard in the clouds of heaven
Crying: Compell the Reasoner to Demonstrate with unhewn Demonstrations
Let the Indefinite be explored. and let every Man be judged
By his own Works, Let all Indefinites be thrown into Demonstrations
To be pounded to dust & melted in the Furnaces of Affliction:
He who would do good to another, must do it in Minute Particulars
General Good is the plea of the scoundrel hypocrite & flatterer:
For Art & Science cannot exist but in minutely organized Particulars
And not in generalizing Demonstrations of the Rational Power.
The Infinite alone resides in Definite & Determinate Identity
Establishment of Truth depends on destruction of Falshood continually
On Circumcision: not on Virginity, O Reasoners of Albion
So cried they at the Plow. Albions Rock frowned above
And the Great Voice of Eternity rolled above terrible in clouds
Saying Who will go forth for us! & Who shall we send before our face?"
Jerusalem, Plate 80, (E 237)
"And Rahab like a dismal and indefinite hovering Cloud
Refusd to take a definite form. she hoverd over all the Earth
Calling the definite, sin: defacing every definite form;
Invisible, or Visible, stretch'd out in length or spread in breadth:
Over the Temples drinking groans of victims weeping in pity,
And joying in the pity, howling over Jerusalems walls."
Public Address, (E 576)
"I have heard many People say Give me the Ideas. It is no
matter what Words you put them into & others say Give me the
Design it is no matter for the Execution. These People know
Nothing Of Art. Ideas cannot be Given
but in their minutely Appropriate Words nor Can a Design be made
without its minutely Appropriate Execution. The unorganized
Blots & Blurs of Rubens & Titian are not Art nor can their Method
ever express Ideas or Imaginations any more than Popes
Metaphysical jargon of Rhyming. Unappropriate Execution is the
Most nauseous affectation & foppery He who copies does
not Execute he only Imitates what is already Executed Execution
is only the result of Invention"
Annotations to Reynolds, (E 646)
"The Man who asserts that there is no Such Thing as Softness
in Art & that every thing in Art is Definite & Determinate has
not been told this by Practise but by Inspiration & Vision
because Vision is Determinate & Perfect & he Copies That without
Fatigue Every thing being Definite & determinate Softness is
Produced Alone by Comparative Strength & Weakness in the Marking
out of the Forms
I say These Principles could never be found out by the Study
of Nature without Con or Innate Science"
Descriptive Catalogue, (E 550)
"The great and golden rule of art, as well as of life, is
this: That the more distinct, sharp, and wirey the
bounding line, the more perfect the work of art; and the less
keen and sharp, the greater is the evidence of weak imitation,
plagiarism, and bungling. Great inventors, in all ages, knew
this: Protogenes and Apelles knew each other by this line.
Rafael and Michael Angelo, and Albert Durer, are known by this
and this alone. The want of this determinate and bounding form
evidences the want of idea in the artist's mind, and the t
pretence of the plagiary in all its branches. How do we
distinguish the oak from the beech, the horse from the ox, but
by the bounding outline? How do we distinguish one face or
countenance from another, but by the bounding line and its
infinite inflexions and movements? What is it that builds a house
and plants a garden, but the definite and determinate? What is it
that distinguishes honesty from knavery, but the hard and wirey
line of rectitude and certainty in the actions and
intentions. Leave out this line and you leave out life itself;
all is chaos again, and the line of the almighty must be drawn
out upon it before man or beast can exist. Talk no more then of
Correggio, or Rembrandt, or any other of those plagiaries of
Venice or Flanders. They were but the lame imitators of lines
drawn by their predecessors, and their works prove themselves
contemptible dis-arranged imitations and blundering misapplied
copies."
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| Wikimedia Commons There Is No Natural Religion |