BLAKE'S JERUSALEM 2

Yale Center for British Art
Jerusalem
Plate 92

 Jerusalem, Plate 20, (E 165)

[Jerusalem to Vala]
"When Albion rent thy beautiful net of gold and silver twine;
Thou hadst woven it with art, thou hadst caught me in the bands
Of love; thou refusedst to let me go: Albion beheld thy beauty
Beautiful thro' our Love's comeliness, beautiful thro' pity.
The Veil shone with thy brightness in the eyes of Albion,
Because it inclosd pity & love; because we lov'd one-another!
Albion lov'd thee! he rent thy Veil! he embrac'd thee! he lov'd thee!
Astonish'd at his beauty & perfection, thou forgavest his furious love:
I redounded from Albions bosom in my virgin loveliness.
The Lamb of God reciev'd me in his arms he smil'd upon us:
He made me his Bride & Wife: he gave thee to Albion.             
Then was a time of love: O why is it passed away!

Then Albion broke silence and with groans reply'd

Plate 21
O Vala! O Jerusalem! do you delight in my groans
You O lovely forms, you have prepared my death-cup"  

The God of Eternity may manifest as light or some abstract principle of benevolence, but the mind refuses to see the transcendent God as an object or material entity (the old man in the sky.) Jesus took on the image of God as a physical man who lived and worked and loved in the world which we experience. Blake developed the image of Jerusalem to represent the spiritual nature of God which is accessible to man in this world. Blake saw Jerusalem as the Emanation of Albion (all of mankind). She is the ethereal but active force which takes on the pain and suffering which results from the divisions within the Divine Body. At one point in the book named for her, she became the bride of Jesus, indicating that the reconciling of the contraries had been accomplished. The mind had become capable of being aware of contrary entities without assigning value: without eating of the Tree of the Knowledge of Good and Evil.

Albion could not awake without incorporating Jerusalem, his emanation, into his total being. When Albion retired into his long sleep, Jerusalem wandered the streets expressing compassionate self-sacrifice. The awakened Albion called upon Jerusalem to awake and resume her Eternal form which integrated and unified 'all nations' in a shared consciousness.

Jerusalem, Plate 96, (E 256)
"Do I sleep amidst danger to Friends! O my Cities & Counties
Do you sleep! rouze up! rouze up. Eternal Death is abroad

So Albion spoke & threw himself into the Furnaces of affliction 
All was a Vision, all a Dream: the Furnaces became
Fountains of Living Waters Howing from the Humanity Divine
And all the Cities of Albion rose from their Slumbers, and All
The Sons & Daughters of Albion on soft clouds Waking from Sleep
Soon all around remote the Heavens burnt with flaming fires    
And Urizen & Luvah & Tharmas & Urthona arose into
Albions Bosom: Then Albion stood before Jesus in the Clouds
Of Heaven Fourfold among the Visions of God in Eternity
Plate 97
Awake! Awake Jerusalem! O lovely Emanation of Albion
Awake and overspread all Nations as in Ancient Time
For lo! the Night of Death is past and the Eternal Day
Appears upon our Hills: Awake Jerusalem, and come away

So spake the Vision of Albion & in him so spake in my hearing   
The Universal Father." 

The wisdom of Jerusalem is forgiveness and compassion; it is tolerance and inclusion. Los held before himself a vision of Jerusalem as he walked among his furnaces attempting to open the return path to Eternity for mankind. His vision included a reflection of all the beauty and love of Eternity as well as the history of God's relationship with humanity. 

Jerusalem, Plate 86, (E 244)

"I see thy Form O lovely mild Jerusalem, Wingd with Six Wings
In the opacous Bosom of the Sleeper, lovely Three-fold
In Head & Heart & Reins, three Universes of love & beauty
Thy forehead bright: Holiness to the Lord, with Gates of pearl
Reflects Eternity beneath thy azure wings of feathery down     
Ribbd delicate & clothd with featherd gold & azure & purple
From thy white shoulders shadowing, purity in holiness!
Thence featherd with soft crimson of the ruby bright as fire
Spreading into the azure Wings which like a canopy
Bends over thy immortal Head in which Eternity dwells        
Albion beloved Land; I see thy mountains & thy hills
And valleys & thy pleasant Cities Holiness to the Lord
I see the Spectres of thy Dead O Emanation of Albion.

Thy Bosom white, translucent coverd with immortal gems
A sublime ornament not obscuring the outlines of beauty       
Terrible to behold for thy extreme beauty & perfection
Twelve-fold here all the Tribes of Israel I behold
Upon the Holy Land: I see the River of Life & Tree of Life
I see the New Jerusalem descending out of Heaven
Between thy Wings of gold & silver featherd immortal         
Clear as the rainbow, as the cloud of the Suns tabernacle

Thy Reins coverd with Wings translucent sometimes covering
And sometimes spread abroad reveal the flames of holiness
Which like a robe covers: & like a Veil of Seraphim
In flaming fire unceasing burns from Eternity to Eternity     
Twelvefold I there behold Israel in her Tents
A Pillar of a Cloud by day: a Pillar of fire by night
Guides them: there I behold Moab & Ammon & Amalek
There Bells of silver round thy knees living articulate
Comforting sounds of love & harmony & on thy feet           
Sandals of gold & pearl, & Egypt & Assyria before me
The Isles of Javan, Philistea, Tyre and Lebanon

Thus Los sings upon his Watch walking from Furnace to Furnace." 

William Blake's Circle of Destiny, by Milton O Percival, provides a succinct statement of the Emanation's contribution to wholeness:

"His Emanations are the fine flowering of life, the 'loves and graces' of the unfallen Albion. They are the sum total of the spirit's manifestation.
In union with her masculine source - the proper relation of the contraries undisturbed - the Emanation provides a 'con-centering vision,' whereby faith in the unity of all life is maintained. The mind, having in this state a sympathetic and intuitive understanding of the Emanation (the life of the world of manifestation), accepts the body and its energies - all of them - and knows them to be good. Enion and Jerusalem remain intact. God is seen in his works. Man and his universe are one." (Page  98) 
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