Showing posts with label Thomas Butts. Show all posts
Showing posts with label Thomas Butts. Show all posts

Wednesday, October 18, 2023

FLIGHT INTO EGYPT


Wikipedia Commons
Original

 

Enhanced Images
 
Egypt acted as a safe haven to which Joseph and Mary took their infant son to escape Herod's implied threat against a rival king. Their fear proved to be justified since Herod ordered the slaughter of  the young male children in the vicinity of Bethlehem. The family returned to the village of Nazareth after the death of Herod.

Matthew 2

[10] When they saw the star, they rejoiced with exceeding great joy.
[11] And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto him gifts; gold, and frankincense, and myrrh.
[12] And being warned of God in a dream that they should not return to Herod, they departed into their own country another way.
[13] And when they were departed, behold, the angel of the Lord appeareth to Joseph in a dream, saying, Arise, and take the young child and his mother, and flee into Egypt, and be thou there until I bring thee word: for Herod will seek the young child to destroy him.
[14] When he arose, he took the young child and his mother by night, and departed into Egypt:
[15] And was there until the death of Herod: that it might be fulfilled which was spoken of the Lord by the prophet, saying, Out of Egypt have I called my son.
[16] Then Herod, when he saw that he was mocked of the wise men, was exceeding wroth, and sent forth, and slew all the children that were in Bethlehem, and in all the coasts thereof, from two years old and under, according to the time which he had diligently inquired of the wise men.
[17] Then was fulfilled that which was spoken by Jeremy the prophet, saying,
[18] In Rama was there a voice heard, lamentation, and weeping, and great mourning, Rachel weeping for her children, and would not be comforted, because they are not.
[19] But when Herod was dead, behold, an angel of the Lord appeareth in a dream to Joseph in Egypt,
[20] Saying, Arise, and take the young child and his mother, and go into the land of Israel: for they are dead which sought the young child's life.
[21] And he arose, and took the young child and his mother, and came into the land of Israel.
[22] But when he heard that Archelaus did reign in Judaea in the room of his father Herod, he was afraid to go thither: notwithstanding, being warned of God in a dream, he turned aside into the parts of Galilee:
[23] And he came and dwelt in a city called Nazareth: that it might be fulfilled which was spoken by the prophets, He shall be called a Nazarene.

Hosea 11

[1] When Israel was a child, then I loved him, and called my son out of Egypt.

Blake's picture of the Flight into Egypt is among the tempera painting which he made for Thomas Butts. The following letter to George Cumberland notes that Blake has an order for fifty small pictures from a new patron. In 1799 Blake began producing a series of biblical paintings using his own tempera technique which proved to be less than optimal. Although the images from 1799 and 1800 darkened and cracked, Martin Butlin reports that "about fifty titles can be accounted for." After 1800 Blake continued his series of pictures for Butts on Old and New Testament themes but transferred his medium to watercolor which is more stable. Unfortunately Flight into Egypt was done in tempera and has darkened markedly.

 Letters, To Cumberland, 1799, (E 704)

 "As to Myself about whom you are so kindly Interested.  I
live by Miracle.  I am Painting small Pictures from the Bible.
For as to Engraving in which art I cannot reproach myself with
any neglect yet I am laid by in a corner as if I did not Exist &
Since my Youngs Night Thoughts have been publishd Even Johnson &
Fuseli have discarded my Graver.  But as I know that He who Works
& has his health cannot starve.  I laugh at Fortune & Go on &
on.  I think I foresee better Things than I have ever seen.  My
Work pleases my employer & I have an order for Fifty small
Pictures at One Guinea each which is Something better than mere
copying after another artist.  But above all I feel myself happy
& contented let what will come having passed now near twenty
years in ups & downs I am used to them & perhaps a little
practise in them may turn out to benefit.  It is now Exactly
Twenty years since I was upon the ocean of business & Tho I laugh
at Fortune I am perswaded that She Alone is the Governor of
Worldly Riches. & when it is Fit She will call on me till then I
wait with Patience in hopes that She is busied among my Friends.
     With Mine & My Wifes best compliments to Mr Cumberland
I remain
Yours sincerely
WILLm BLAKE" 

Descriptive Catalogue, 1809, (E 548)

"NUMBER XI. 
The body of Abel found by Adam and Eve; Cain, who
was about to bury it, fleeing from the face of his Parents. --A
Drawing.
NUMBER XII.  
The Soldiers casting lots for Christ's Garment.-A Drawing.
NUMBER XIII.  
Jacob's Ladder, --A Drawing. 
NUMBER XIV.
The Angels hovering over the Body of Jesus in the
Sepulchre.--A Drawing.
  The above four drawings the Artist wishes were in Fresco, 
on an enlarged scale to ornament the altars of churches, 
and to make England like Italy, respected by respectable men of 
other countries on account of Art.  It is not the want of genius, 
that can hereafter be laid to our charge, the Artist who has done
these Pictures and Drawings will take care of that; let those who 
govern the Nation, take care of the other.  The times require 
that every one should speak out boldly; England expects that 
every man should do his duty, in Arts, as well as in Arms, or in 
the Senate." 
 

Friday, August 19, 2022

THANKSGIVING

Illustrations of the Book of Job
Job's Sacrifice
Linnell set, Plate 18

Legend on engraved plate:

                               "And my Servant Job shall pray for you



And the Lord turned the captivity of Job when he prayed for his Friends

also: Matthew 5

[44] But I say unto you, Love your enemies, bless them that curse you, do good to them that hate you, and pray for them which despitefully use you, and persecute you;
[45] That ye may be the children of your Father which is in heaven: for he maketh his sun to rise on the evil and on the good, and sendeth rain on the just and on the unjust.
[46] For if ye love them which love you, what reward have ye? do not even the publicans the same?
[47] And if ye salute your brethren only, what do ye more than others? do not even the publicans so?
[48] Be ye therefore perfect, even as your Father which is in heaven is perfect.

When Blake had determined that he would return to London after his three years sojourn in Felpham, he wrote this heart-felt letter to his spiritual friend and corporeal supporter Thomas Butts. Blake felt moved to thank Butts for being a person who knew him well enough that he recognized God's workings in him. Butts would lift him up when he was despondent over the alienation which he suffered because of his ability to "See Visions, Dream Dreams, & prophecy & speak Parables."   

Letters, To Butts,(E 728)
"Felpham April 25: 1803
My Dear Sir
     I write in haste having recievd a pressing Letter from my
Brother.  I intended to have sent the Picture of the Riposo which
is nearly finishd much to my satisfaction but not quite you shall
have it soon.  I now send the 4 Numbers for Mr Birch with best
Respects to him <The Reason the Ballads have been suspended is
the pressure of other business but they will go on again soon>
     Accept of my thanks for your kind & heartening Letter You
have Faith in the Endeavours of Me your weak brother & fellow
Disciple. how great must be your faith in our Divine Master.  You
are to me a Lesson of Humility while you Exalt me by such
distinguishing commendations.  I know that you see certain merits
in me which by Gods Grace shall be made fully apparent & perfect
in Eternity. in the mean time I must not bury the Talents in the
Earth but do my endeavour to live to the Glory of our Lord &
Saviour & I am also grateful to the kind hand that endeavours to
lift me out of despondency even if it lifts me too high--
     And now My Dear Sir Congratulate me on my return to London
with the full approbation of Mr Hayley & with Promise--But Alas!
     Now I may say to you what perhaps I should not dare to say
to any one else.  That I can alone carry on my visionary studies
in London unannoyd & that I may converse with my friends in
Eternity.  See Visions, Dream Dreams, & prophecy & speak Parables
unobserv'd & at liberty from the Doubts of other Mortals. perhaps
Doubts proceeding from Kindness. but Doubts are always pernicious
Especially when we Doubt our Friends Christ is very decided on
this Point.  "He who is Not With Me is Against Me" There is no
Medium or Middle state & if a Man is the Enemy of my Spiritual
Life while he pretends to be the Friend of my Corporeal. he is a
Real Enemy--but the Man may be the friend of my Spiritual Life
while he seems the Enemy of my Corporeal but Not Vice Versa
     What is very pleasant.  Every one who hears of my going to
London again Applauds it as the only course for the interest of
all concernd in My Works.  Observing that I ought not to be away
from the opportunities London affords of seeing fine Pictures and
the various improvements in Works of Art going on in London
     But none can know the Spiritual Acts of my three years
Slumber on the banks of the Ocean unless he has seen them in the
Spirit or unless he should read My long Poem descriptive of those
Acts for I have in these three years composed an immense number
of verses on One Grand Theme Similar to Homers Iliad or Miltons
Paradise Lost the Person & Machinery intirely new to the
Inhabitants of Earth (some of the Persons Excepted) I have written
this Poem from immediate Dictation twelve or sometimes twenty or
thirty lines at a time without Premeditation & even against my
Will. the Time it has taken in writing was thus renderd Non
Existent. & an immense Poem Exists which seems to be the Labour
of a long Life all producd without Labour or Study.  I mention
this to shew you what I think the Grand Reason of my being
brought down here
     I have a thousand & ten thousand things to say to you.  My
heart is full of futurity.  I percieve that the sore travel which
has been given me these three years leads to Glory & Honour.  I
rejoice & I tremble "I am fearfully & wonderfully made".  I had
been reading the cxxxix Psalm a little before your Letter
arrived.  I take your advice.  I see the face of my Heavenly
Father he lays his Hand upon my Head & gives a blessing to all my
works why should I be troubled why should my heart & flesh cry
out.  I will go on in the Strength of the Lord through Hell will
I sing forth his Praises. that the Dragons of the Deep may praise
him & that those who dwell in darkness & on the Sea coasts may be
gatherd into his Kingdom.  Excuse my perhaps too great
Enthusiasm.  Please to accept of & give our Loves to Mrs Butts &
your amiable Family. & believe me to be----

Ever Yours Affectionately
WILL. BLAKE. "

Psalms 139

[7] Whither shall I go from thy spirit? or whither shall I flee from thy presence?
[8] If I ascend up into heaven, thou art there: if I make my bed in hell, behold, thou art there.
[9] If I take the wings of the morning, and dwell in the uttermost parts of the sea;
[10] Even there shall thy hand lead me, and thy right hand shall hold me.

The 'Long Poem' on 'One Grand Theme' which Blake was composing in Felpham was of course Jerusalem which he labored over for many more years. In this passage from Plate 12 we read of the the building of Golgonooza, the city of Art & Manufacture, which would embody the characteristics through which the Kingdom of Heaven is made manifest on earth.

Characteristics of Golgonooza
pity
compassion
love 
kindness 
mercy 
forgiveness
honesty 
words never forgotten
humility 
devotion  
thanksgiving
tears and sighs 
Galatians 5
[22] But the fruit of the Spirit is love, joy, peace, longsuffering, gentleness, goodness, faith,
[23] Meekness, temperance: against such there is no law.
Jerusalem, Plate 12, (E 155)
"Terrified at the sublime Wonder, Los stood before his Furnaces.
And they stood around, terrified with admiration at Erins Spaces
For the Spaces reachd from the starry heighth, to the starry depth;
And they builded Golgonooza: terrible eternal labour!

What are those golden builders doing? where was the burying-place
Of soft Ethinthus? near Tyburns fatal Tree? is that
Mild Zions hills most ancient promontory; near mournful
Ever weeping Paddington? is that Calvary and Golgotha?
Becoming a building of pity and compassion? Lo!
The stones are pity, and the bricks, well wrought affections:    
Enameld with love & kindness, & the tiles engraven gold
Labour of merciful hands: the beams & rafters are forgiveness:
The mortar & cement of the work, tears of honesty: the nails,
And the screws & iron braces, are well wrought blandishments,
And well contrived words, firm fixing, never forgotten,         
Always comforting the remembrance: the floors, humility,
The cielings, devotion: the hearths, thanksgiving:
Prepare the furniture O Lambeth in thy pitying looms!
The curtains, woven tears & sighs, wrought into lovely forms
For comfort. there the secret furniture of Jerusalems chamber    
Is wrought: Lambeth! the Bride the Lambs Wife loveth thee:
Thou art one with her & knowest not of self in thy supreme joy.

Go on, builders in hope: tho Jerusalem wanders far away,
Without the gate of Los: among the dark Satanic wheels."
From an earlier post

Those who build their lives as expressions of the 13th Chapter of First Corinthians are the 'golden builders'; they are 'becoming a building' - carefully built just as Blake's illuminated poetry was produced with 'well wrought blandishments' and 'well contrived words.' The structure of Golgonooza is the principles and attitudes through which we build our character, the furnishings are the way we behave to one another: 'curtains woven tears and sighs, woven into lovely forms.' The outcome is the 'joy' of losing the 'self' by knowing the love in which we abide, and which abides in us.
 

Thursday, June 10, 2021

TRANSFIGURATION

Victoria and Albert Museum
The Transfiguration

Matthew 17 (King James Version)

[1] And after six days Jesus taketh Peter, James, and John his brother, and bringeth them up into an high mountain apart,
[2] And was transfigured before them: and his face did shine as the sun, and his raiment was white as the light.
[3] And, behold, there appeared unto them Moses and Elias talking with him.

[4] Then answered Peter, and said unto Jesus, Lord, it is good for us to be here: if thou wilt, let us make here three tabernacles; one for thee, and one for Moses, and one for Elias.
[5] While he yet spake, behold, a bright cloud overshadowed them: and behold a voice out of the cloud, which said, This is my beloved Son, in whom I am well pleased; hear ye him.
[6] And when the disciples heard it, they fell on their face, and were sore afraid.
[7] And Jesus came and touched them, and said, Arise, and be not afraid.
[8] And when they had lifted up their eyes, they saw no man, save Jesus only.
[9] And as they came down from the mountain, Jesus charged them, saying, Tell the vision to no man, until the Son of man be risen again from the dead.
[10] And his disciples asked him, saying, Why then say the scribes that Elias must first come?
[11] And Jesus answered and said unto them, Elias truly shall first come, and restore all things.
[12] But I say unto you, That Elias is come already, and they knew him not, but have done unto him whatsoever they listed. Likewise shall also the Son of man suffer of them.
[13] Then the disciples understood that he spake unto them of John the Baptist.

Mark 8 (King James Version)

[27] And Jesus went out, and his disciples, into the towns of Caesarea Philippi: and by the way he asked his disciples, saying unto them, Whom do men say that I am?
[28] And they answered, John the Baptist: but some say, Elias; and others, One of the prophets.
[29] And he saith unto them, But whom say ye that I am? And Peter answereth and saith unto him, Thou art the Christ.
[30] And he charged them that they should tell no man of him.
[31] And he began to teach them, that the Son of man must suffer many things, and be rejected of the elders, and of the chief priests, and scribes, and be killed, and after three days rise again.
[32] And he spake that saying openly. And Peter took him, and began to rebuke him.
[33] But when he had turned about and looked on his disciples, he rebuked Peter, saying, Get thee behind me, Satan: for thou savourest not the things that be of God, but the things that be of men.
[34] And when he had called the people unto him with his disciples also, he said unto them, Whosoever will come after me, let him deny himself, and take up his cross, and follow me.
[35] For whosoever will save his life shall lose it; but whosoever shall lose his life for my sake and the gospel's, the same shall save it.
[36] For what shall it profit a man, if he shall gain the whole world, and lose his own soul?

Luke 9 (New International Version)

28 About eight days after Jesus said this, he took Peter, John and James with him and went up onto a mountain to pray. 29 As he was praying, the appearance of his face changed, and his clothes became as bright as a flash of lightning. 30 Two men, Moses and Elijah, appeared in glorious splendor, talking with Jesus. 31 They spoke about his departure, which he was about to bring to fulfillment at Jerusalem. 32 Peter and his companions were very sleepy, but when they became fully awake, they saw his glory and the two men standing with him. 33 As the men were leaving Jesus, Peter said to him, “Master, it is good for us to be here. Let us put up three shelters—one for you, one for Moses and one for Elijah.” (He did not know what he was saying.) 34 While he was speaking, a cloud appeared and covered them, and they were afraid as they entered the cloud. 35 A voice came from the cloud, saying, “This is my Son, whom I have chosen; listen to him.” 36 When the voice had spoken, they found that Jesus was alone. The disciples kept this to themselves and did not tell anyone at that time what they had seen. 

Luke (Phillips Translation)

9:28-35 - About eight days after these sayings, Jesus took Peter, James and John and went off to the hill-side to pray. And then, while he was praying, the whole appearance of his face changed and his clothes became white and dazzling. And two men were talking with Jesus. They were Moses and Elijah - revealed in heavenly splendour, and their talk was about the way he must take and the end he must fulfil in Jerusalem. But Peter and his companions had been overcome by sleep and it was as they struggled into wakefulness that they saw the glory of Jesus and the two men standing with him. Just as they were parting from him, Peter said to Jesus, "Master, it is wonderful for us to be here! Let us put up three shelters - one for you, one for Moses and one for Elijah." But he did not know what he was saying. While he was still talking, a cloud overshadowed them and awe swept over them as it enveloped them. A voice came out of the cloud, saying "This is my Son, my chosen! Listen to him!"

9:36 - And while the voice was speaking, they found there was no one there at all but Jesus. The disciples were reduced to silence, and in those days never breathed a word to anyone to what they had seen.


For his friend Thomas Butts in about 1800 Blake painted The Transfiguration, another in his series of watercolor painting on topics from the Bible. The account of The Transfiguration is included in the books of Matthew, Mark, and Luke, each of which offers particular details. The three gospels agree that Jesus withdrew to a mountain accompanied with the disciples Peter, James and John.  The countenance of Jesus was altered and there appeared with him two men in heavenly splendor. The two men are identified as Moses, the giver of the law, and Elias representing the prophetic strain of the Old Testament. In Luke's gospel it is said that Moses and Elias discussed with Jesus "his departure (Exodus), which he was about to bring to fulfillment at Jerusalem."

The Transfiguration is a precursor to the final chapter of the earthly life of Jesus. He shared it with the two figures who were most representative of the two contrary threads which were woven together in the Old Testament - Worldly Power wielded by Moses the lawgiver, and Spiritual Power incorporated by the prophet Elias. Jesus, in order to accomplish his mission of leading the exodus from the dominion of the rulers of this world, into a kingdom not of this world, needed to bring together Moses and Elias - Rintrah and Palamabron as Blake named them. Blake hints at the presence of the Zoas by picturing two additional figures in the shadows adjacent to Jesus.    


Vision of Last Judgment, (E 556)
"beneath the falling figure of Cain is Moses casting his tables of stone into the Deeps. it ought to be understood that the Persons Moses & Abraham are not here meant but the States Signified by those Names the Individuals being representatives or Visions of those States as they were reveald to Mortal Man in the Series of Divine Revelations. as they are written in the Bible these various States I have seen in my Imagination when distant they appear as One Man but as you approach they appear Multitudes of Nations."

Milton, Plate 24 [26], (E 121) "Los is by mortals nam'd Time Enitharmon is nam'd Space But they depict him bald & aged who is in eternal youth All powerful and his locks flourish like the brows of morning He is the Spirit of Prophecy the ever apparent Elias Time is the mercy of Eternity; without Times swiftness Which is the swiftest of all things: all were eternal torment: All the Gods of the Kingdoms of Earth labour in Los's Halls. Every one is a fallen Son of the Spirit of Prophecy He is the Fourth Zoa, that stood around the Throne Divine." 
Vision of Last Judgment, (E 561)
 "By the side of Seth is Elijah he comprehends all the Prophetic Characters he is seen on his fiery Chariot bowing before the throne of the Saviour."

Annotations to Watson, (E 618)
"All Penal Laws court Transgression & therefore are cruelty & Murder The laws of the Jews were (both ceremonial & real) the basest & most oppressive of human codes. & being like all other codes given under pretence of divine command were what Christ pronouncd them The Abomination that maketh desolate. i.e State Religion which is the Source of all Cruelty"

Everlasting Gospel, (E 521)
"Jesus was sitting in Moses Chair They brought the trembling Woman There Moses commands she be stoned to Death What was the sound of Jesus breath He laid his hand on Moses Law The Ancient Heavens in Silent Awe Writ with Curses from Pole to Pole All away began to roll The Earth trembling & Naked lay In secret bed of Mortal Clay On Sinai felt the hand Divine Putting back the bloody shrine And she heard the breath of God As she heard by Edens flood Good & Evil are no more Sinais trumpets cease to roar"


Thursday, April 15, 2021

BIOGRAPHY 3

British Museum 
Illustrations to Young's Night Thoughts

 From Chapter 1 of Larry's book Ram Horn'd With Gold.     

 These pages may suggest that Blake was something of a nonconformist with his decisions not to go to school, not to accept his father's generous offer of expensive artistic training, not to pursue the rewards of friendship with Rev. Mathews or Sir Joshua Reynolds, and finally not to teach drawing to the royal children. All these decisions taken together forced a man of outstanding artistic ability into a drab livelihood engraving other men's designs. They reduced him to a life of penury. He might look like a misanthrope except that the decisions were all based on something positive.

       Blake knew a secret. He was possessed by realities foreign to the general mind. He knew that trees were full of angels. He knew and vividly experienced an inner world so real that it made the external world by comparison a thing of shadows. He even had some support for his ideas. He discovered that the Gnostics , Plotinus, Paracelsus, Boehme, and a host of others had reported on those realities, not to mention Elijah, John, Stephen, and a few other such types. To the conditioned mind of his day (and ours) all these reports were just stories, but to Blake they were imaginative realities. Imagination was more real to him than any cold blooded materiality.

       With such a psyche how could he possibly trust himself to the sense deadening compromises by which most of us make our way in the world? When the chips were down, he always chose principle, conviction, imagination, and never mind the cost. The surprising thing is not that he failed to make his way, but that he managed to survive in this world for almost seventy years. He did have a strong instinct for survival.

       So Blake lived in the world without becoming a worldling, and he learned to fight back. His defense mechanism was telling about his own world. In fact he turned it into a counteroffensive, which he launched with a bang in 1789. He wrote a strange document called The Marriage of Heaven and Hell in which he stood the dominant consciousness on its head. (This work probably contains more famous Blake quotes than any other.)

       "The Marriage of Heaven and Hell' embodies new communicative skills which Blake used to raise consciousness, not among his contemporaries, few of whom ever saw it, but among later generations. In MHH and in subsequent prophecies he describes a world of thought, imagination and reality foreign to the socially conditioned mind. He deconditions us and reprograms us, or in his language he attempts to raise us "into a perception of the infinite." (Cf Blake's conversation with Ezekiel in MHH: in the first of the Memorable Fancies)

       MHH celebrates Blake's discovery of his identity as a prophet and of the use of irony, which he likely learned from Isaiah. He called himself a devil, but that does not have the satanic implications that simpletons have ascribed to it; all his life Blake showed implacable enmity to Satan. Still perhaps his greatest weapon was the ability to turn conventional ideas upside down and let us see another reality beside the prevailing group- think. "Without Contraries is no progression". (MHH Plate 3; Erdman p. 34)

       For example laws are for the protection of society--or sometimes for the advantage of those who make them. Wealth is virtue--or sometimes thievery. Worship is life giving--unless it's idolatrous. War is terrible--but also profitable. These are called antinomies. Blake called them contraries, and the Proverbs of Hell in MHH express his realization that much of the world's thinking is illegitimately one sided. In a strange way Blake's vision showed him the other side of the coin. This is what he shared in the decades when he fought back.

       In a letter written to William Hayley Blake indicated that he had lost his vision about 1783 and regained it exactly twenty years later. From this we may surmise that Blake had chosen the world (or attempted to) when vision left him, but he apparently had a large reservoir of visionary capital which he lived on during his twenty years in the wilderness.

       He also had a Christian friend, Thomas Butts, a minor civil servant who saw something in Blake that most people had missed. (In this letter Blake explained to Butts, with great poetic brilliance his experience "on the sands at Felpham". Though Butts probably had no unusual visionary gifts himself, he did recognize them in his friend Blake. To encourage him he occasionally purchased Blake's pictures. As Butts became more aware of Blake's poverty, he commissioned him to paint fifty pictures at a guinea each and gave him complete freedom to choose his subjects. Butts' financial generosity made it possible for Blake and his wife to survive; in all likelihood his spiritual support was even more decisive.

      A series of letters which Blake wrote Butts suggest a relationship of mutual warmth. Major Butts affirmed Blake in such a way that in these letters Blake dropped the cryptic and enigmatic style which had become almost a part of him and reverted to the limpid clarity seen in the 'Songs of Innocence'. Blake made every effort to explain himself to Butts, and we are rewarded in the Butts correspondence with some of the most revealing glimpses of his mind and being.

       Blake tried to repay Butts for his kindness by offering him spiritual direction. However it seems likely that the relationship was the reverse, at least until the moment when Blake became confirmed in the Lordship of Christ. If Blake had a spiritual midwife, it must have been the humble customs officer.

      As the century drew to a close, in spite of his friendship with Butts Blake's spirits began to sink. Cash and work were scarce. He began to suffer from melancholy, avoid his friends and shrink from social scenes.

      Then in 1800 he received an invitation from a wealthy popular poetaster named William Hayley to move to Felpham, a village by the sea, and to collaborate in some artistic projects. Hayley in fact took Blake under his wing and set out to make a success of him. In particular he set him to painting miniature portraits and secured numbers of commissions for him. At the same time he strongly discouraged Blake's interest in writing.

       This proved to be Blake's last temptation. Naturally he felt grateful for Hayley's interest and sponsorship, but as time went on it became increasingly clear that Hayley meant for him to become a man of the world (painting portraits) and to turn his back on the eternal (stop writing poetry). It was the climactic struggle between the two principles for possession of the artist's soul. We find the struggle aptly expressed in the extravagant words of a spiritual report which Blake wrote to Butts on January 10, 1803.

Letters, To Butts (E 724)
"But if we fear to do the dictates of our
Angels & tremble at the Tasks set before us. if we refuse to do
Spiritual Acts. because of Natural Fears or Natural Desires!  Who
can describe the dismal torments of such a state!--I too well
remember the Threats I heard!--If you who are organized by Divine
Providence for Spiritual communion.  Refuse & bury your Talent in
the Earth even tho you should want Natural Bread. Sorrow &
Desperation
pursues you thro life! & after death shame & confusion of face to
eternity--Every one in Eternity will leave you aghast at the Man
who was crownd with glory & honour by his brethren & betrayd
their cause to their enemies.  You will be calld the base Judas
who betrayd his Friend!--Such words would make any Stout man
tremble & how then could I be at ease? But I am now no longer in
That State & now go on again with my Task Fearless. and tho my
path is difficult.  I have no fear of stumbling while I keep it."

       A more reasoned explanation of this archetypal problem came in a letter to George Cumberland in July 1800:

       By the main chance he meant of course seeking conventional success.       

       After three years at Felpham it appears that Butt's support helped Blake to make the right final decision. An unpleasant altercation with a drunken soldier leading to a trial for sedition also helped. In 1803 he returned to London, richer only in experience, but confirmed in his determination to give his spiritual visions priority in his life.

Monday, October 28, 2019

ILLUSTRATING SHAKESPEARE

Originally posted October 2011.

Othello and Desdemona
Dated about 1780
from Thomas Butts collection
Museum of Fine Arts Boston
acquired 1890

In the collection of the Museum of Fine Arts Boston is a group of Blake's illustrations to Shakespeare which are said to have been painted around 1780. Each picture is a close-up portrait of one or two characters in a play of Shakespeare. The pictures were later in Thomas Butts' collection although the estimated date of production is years before Butts is known to have been purchasing Blake's art.

In 1779 Blake had completed his apprenticeship as an engraver with Basire. He was enrolled in the Royal Academy Schools and was seeking to establish himself as a painter as well as an engraver. The Shakespeare pictures are conventional subjects painted in a conventional style, far from the subject matter and methods of production Blake was to employ as he matured.

Here are more of Blake's illustrations for Shakespeare's plays in the Museum of Fine Arts Boston:
Lear and Cordelia

Cordelia and Sleeping Lear


Lear Grasping a Sword

Falstaff and Prince Hal

Macbeth and Lady Macbeth

Juliet Asleep
.

JACOB'S DREAM

Wikipedia Commons
Jacob's Dream
Blake was fortunate in finding a loyal patron who shared his interest in biblical subjects. After painting fifty temperas for Thomas Butts with biblical themes, Blake began a series of biblical watercolors of surpassing beauty. Jacob's Dream was painted c.1805 and included in the Royal Academy Exhibition that year. 

The Old Testament story tells of Jacob traveling alone through the desert, spending the night and using stones for pillows. He was visited by a memorable dream which concluded with a promise from God that in his seed all the families of the earth be should blessed.  
When Blake painted his watercolor of Jacob's Dream he added images beyond what Jacob reported. Notice that the upper part of the picture is illumined by the sun and the lower by the stars. There are ascending and descending figures as Jacob beheld. Those moving upward are women with children in their care. Descending are women carrying items which are symbolic of God's provisions for man while he is on Earth: bread and wine (elements of Communion), scroll and book (OT and NT scripture), the Arts of poetry (open scroll), painting (compass), music (lyre) and architecture (stair). Although Jacob saw angels, only a few of Blake's figures are pictured as angels.  

Genesis 28
[10] And Jacob went out from Beer-sheba, and went toward Haran.
[11] And he lighted upon a certain place, and tarried there all night, because the sun was set; and he took of the stones of that place, and put them for his pillows, and lay down in that place to sleep.
[12] And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it.
[13] And, behold, the LORD stood above it, and said, I am the LORD God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed;
[14] And thy seed shall be as the dust of the earth, and thou shalt spread abroad to the west, and to the east, and to the north, and to the south: and in thee and in thy seed shall all the families of the earth be blessed.
[15] And, behold, I am with thee, and will keep thee in all places whither thou goest, and will bring thee again into this land; for I will not leave thee, until I have done that which I have spoken to thee of.
[16] And Jacob awaked out of his sleep, and he said, Surely the LORD is in this place; and I knew it not.
[17] And he was afraid, and said, How dreadful is this place! this is none other but the house of God, and this is the gate of heaven.


Milton, Plate 27 [29] (E 125)
"Here are the stars created & the seeds of all things planted
And here the Sun & Moon recieve their fixed destinations

But in Eternity the Four Arts: Poetry, Painting, Music,          
And Architecture which is Science: are the Four Faces of Man.
Not so in Time & Space: there Three are shut out, and only
Science remains thro Mercy: & by means of Science, the Three
Become apparent in time & space, in the Three Professions

Poetry in Religion: Music, Law: Painting, in Physic & Surgery:

That Man may live upon Earth till the time of his awaking,
And from these Three, Science derives every Occupation of Men." 
Vision of Last Judgment, (E 556) 
"beneath the falling figure of Cain is Moses casting his tables of
stone into the Deeps. it ought to be understood that the Persons
Moses & Abraham are not here meant but the States Signified by
those Names the Individuals being representatives or Visions of
those States as they were reveald to Mortal Man in the Series of
Divine Revelations. as they are written in the Bible these
various States I have seen in my Imagination when distant they
appear as One Man but as you approach they appear
Multitudes of Nations.  Abraham hovers above his posterity which
appear as Multitudes of Children ascending from the Earth
surrounded by Stars as it was said As the Stars of Heaven for
Multitude Jacob & his Twelve Sons hover beneath
the feet of Abraham & recieve their children from the Earth   I
have seen when at a distance Multitudes of Men in Harmony appear
like a single Infant sometimes in the Arms of a Female"
.

Tuesday, October 22, 2019

AWAKE YE DEAD

Pollok House
Glasgow Museums
Tempera on canvas
Entombment

This beautiful image is in the collection of the Pollok House of the Glasgow Museums. It is assumed to be one of the biblical temperas which Blake painted for Thomas Butts between 1799–1800. Blake referred to biblical accounts and his own imagination when, in his terminology, he invented this image. 


The central standing figure can be identified as Joseph of Arimathea in whose tomb the body of Jesus was laid. Or since the figure holds a jar which may hold spices, the male figure may be Nicodemus whom John reports brought spices and aloe to the tomb in preparation for burial. The standing weeping woman with face covered I assume to be Mary Magdelene. Perhaps Blake was thinking of Mary the Mother of James and Joses, whose presence at the tomb was recorded by Matthew and Mark, when he painted the woman to the left of Joseph in the painting. There are four kneeling women in the foreground including one, perhaps the mother of Jesus, whose face is visible and whose head is covered by a white scarf on which the light shines. There are two men whose faces are visible kneeling at the feet of the body of Jesus. Behind the body are additional kneeling figures with faces hidden.The light appears to originate, not from an exterior source but from Jesus himself wrapped in the linen shroud. Behind the three standing figures is an open window which Blake characteristically used to indicate that death was not the end but an entry into Life Eternal.
Luke 23
[50] And, behold, there was a man named Joseph, a counseller; and he was a good man, and a just:
[51] (The same had not consented to the counsel and deed of them;) he was of Arimathaea, a city of the Jews: who also himself waited for the kingdom of God.
[52] This man went unto Pilate, and begged the body of Jesus.
[53] And he took it down, and wrapped it in linen, and laid it in a sepulchre that was hewn in stone, wherein never man before was laid.
[54] And that day was the preparation, and the sabbath drew on.
[55] And the women also, which came with him from Galilee, followed after, and beheld the sepulchre, and how his body was laid.
[56] And they returned, and prepared spices and ointments; and rested the sabbath day according to the commandment.



John 19
[38] And after this Joseph of Arimathaea, being a disciple of Jesus, but secretly for fear of the Jews, besought Pilate that he might take away the body of Jesus: and Pilate gave him leave. He came therefore, and took the body of Jesus.
[39] And there came also Nicodemus, which at the first came to Jesus by night, and brought a mixture of myrrh and aloes, about an hundred pound weight.
[40] Then took they the body of Jesus, and wound it in linen clothes with the spices, as the manner of the Jews is to bury.
[41] Now in the place where he was crucified there was a garden; and in the garden a new sepulchre, wherein was never man yet laid.
[42] There laid they Jesus therefore because of the Jews' preparation day; for the sepulchre was nigh at hand.
Matthew 27
[54] Now when the centurion, and they that were with him, watching Jesus, saw the earthquake, and those things that were done, they feared greatly, saying, Truly this was the Son of God.
[55] And many women were there beholding afar off, which followed Jesus from Galilee, ministering unto him:
[56] Among which was Mary Magdalene, and Mary the mother of James and Joses, and the mother of Zebedee's children.
[57] When the even was come, there came a rich man of Arimathaea, named Joseph, who also himself was Jesus' disciple:
[58] He went to Pilate, and begged the body of Jesus. Then Pilate commanded the body to be delivered.
[59] And when Joseph had taken the body, he wrapped it in a clean linen cloth,
[60] And laid it in his own new tomb, which he had hewn out in the rock: and he rolled a great stone to the door of the sepulchre, and departed.
[61] And there was Mary Magdalene, and the other Mary, sitting over against the sepulchre.

Mark 15
[40] There were also women looking on afar off: among whom was Mary Magdalene, and Mary the mother of James the less and of Joses, and Salome;
[41] (Who also, when he was in Galilee, followed him, and ministered unto him;) and many other women which came up with him unto Jerusalem.
[42] And now when the even was come, because it was the preparation, that is, the day before the sabbath,
[43] Joseph of Arimathaea, an honourable counseller,  which also waited for the kingdom of God, came, and went in boldly unto Pilate, and craved the body of Jesus.
[44] And Pilate marvelled if he were already dead: and calling unto him the centurion, he asked him whether he had been any while dead.
[45] And when he knew it of the centurion, he gave the body to Joseph.
[46] And he bought fine linen, and took him down, and wrapped him in the linen, and laid him in a sepulchre which was hewn out of a rock, and rolled a stone unto the door of the sepulchre.
[47] And Mary Magdalene and Mary the mother of Joses beheld where he was laid.


Luke.24
[1] Now upon the first day of the week, very early in the morning, they came unto the sepulchre, bringing the spices which they had prepared, and certain others with them.
[2] And they found the stone rolled away from the sepulchre.
[3] And they entered in, and found not the body of the Lord Jesus.
John.20
[1] The first day of the week cometh Mary Magdalene early, when it was yet dark, unto the sepulchre, and seeth the stone taken away from the sepulchre.

Fearful Symmetry, Northrop Frye, Page 401
"A dream is the process of taking a subreality to be real which is induced in us by bodily and mental inertia. But a complete understanding of a dream includes a knowledge that it is one, a knowledge that at once wakes us up. The crucified Christ is the visible form of Man's dream state, and as whatever is completely visible is transparent, that means that the crucified Christ is a prism or lens of reality, that is an eye, which man is slowly trying to open."


Four Zoas, Night VIII, Page 110, (E 379)
"Thus was the Lamb of God condemnd to Death         
They naild him upon the tree of Mystery weeping over him
And then mocking & then worshipping calling him Lord & King
Sometimes as twelve daughters lovely & sometimes as five
They stood in beaming beauty & sometimes as one even Rahab 
Who is Mystery Babylon the Great the Mother of Harlots    

Jerusalem saw the Body dead upon the Cross She fled away
Saying Is this Eternal Death   Where shall I hide from Death
Pity me Los pity me Urizen & let us build     
A Sepulcher & worship Death in fear while yet we live 
Death! God of All from whom we rise to whom we all return
And Let all Nations of the Earth worship at the Sepulcher 
With Gifts & Spices with lamps rich embossd jewels & gold

Los took the Body from the Cross Jerusalem weeping over
They bore it to the Sepulcher which Los had hewn in the rock 
Of Eternity for himself he hewd it despairing of Life Eternal"

Four Zoas, Night IX, Page 117, (E 386)
               "VALA

          Night the Ninth
               Being
          The Last Judgment

And Los & Enitharmon builded Jerusalem weeping   
Over the Sepulcher & over the Crucified body
Which to their Phantom Eyes appear'd still in the Sepulcher
But Jesus stood beside them in the Spirit Separating
Their Spirit from their body. Terrified at Non Existence 
For such they deemd the death of the body. Los his vegetable hands
Outstretchd his right hand branching out in fibrous Strength
Siezd the Sun. His left hand like dark roots coverd the Moon
And tore them down cracking the heavens across from immense to immense
Then fell the fires of Eternity with loud & shrill 
Sound of Loud Trumpet thundering along from heaven to heaven
A mighty sound articulate Awake ye dead & come
To judgment from the four winds Awake & Come away" 

Thursday, June 20, 2019

BAPTISM OF CHRIST

[To] Mr [George] Cumberland, Bishopsgate,
Windsor Great Park
[From] Hercules Buildings, Lambeth. Augst 26. 1799
...
 As to Myself about whom you are so kindly Interested.  I
live by Miracle.  I am Painting small Pictures from the Bible.
For as to Engraving in which art I cannot reproach myself with
any neglect yet I am laid by in a corner as if I did not Exist &
Since my Youngs Night Thoughts have been publishd Even Johnson &
Fuseli have discarded my Graver.  But as I know that He who Works
& has his health cannot starve.  I laugh at Fortune & Go on &
on.  I think I foresee better Things than I have ever seen.  My
Work pleases my employer & I have an order for Fifty small
Pictures at One Guinea each which is Something better than mere
copying after another artist.  But above all I feel myself happy
& contented let what will come having passed now near twenty
years in ups & downs I am used to them & perhaps a little
practise in them may turn out to benefit.  It is now Exactly
Twenty years since I was upon the ocean of business & Tho I laugh
at Fortune I am perswaded that She Alone is the Governor of
Worldly Riches. & when it is Fit She will call on me till then I
wait with Patience in hopes that She is busied among my Friends.
     With Mine & My Wifes best compliments to Mr Cumberland
I remain
Yours sincerely
WILLm BLAKE 
Included in this post is information from William Blake: His Art and Times by David Bindman and from other sources.

The commission which Blake reported in his letter to his friend George Cumberland, according to Bindman, was his first from Thomas Butts. In the next year, 1799-1800, Blake painted fifty small (aproximately 10x15 inches) tempera pictures illustrating the bible for Butts. The medium which Blake used to paint the temperas did not prove to be as satisfactory as would have been desired. As a binder Blake used glue and gums, sometimes in layers, which created problems as the pictures aged. Although about thirty of the pictures are available in public and private collections, their appearance is far from the original intent. Cracking and darkening is the result of failure of the original technique and also subsequent attempts at restoration.  
Rhode Island School of Design Museum of Art
The Baptism of Christ
1799-1800 Tempera

In this example from the tempera set of biblical illustrations we see that the gem-like colors which Blake intended to produce have been lost, along with much of the clear definition which he so valued.

Butts continued to purchase biblical illustrations from Blake but after the first fifty, the paintings were watercolors to which time has been much kinder. Below from the year 1803 is Blake's watercolor of the same subject.       

Ashmolean
The Baptism of Christ
c. 1803
Pen and Black Ink and Watercolour

Matthew 3
[11] I indeed baptize you with water unto repentance: but he that cometh after me is mightier than I, whose shoes I am not worthy to bear: he shall baptize you with the Holy Ghost, and with fire:
[12] Whose fan is in his hand, and he will throughly purge his floor, and gather his wheat into the garner; but he will burn up the chaff with unquenchable fire.
[13] Then cometh Jesus from Galilee to Jordan unto John, to be baptized of him.
[14] But John forbad him, saying, I have need to be baptized of thee, and comest thou to me?
[15] And Jesus answering said unto him, Suffer it to be so now: for thus it becometh us to fulfil all righteousness. Then he suffered him.
[16] And Jesus, when he was baptized, went up straightway out of the water: and, lo, the heavens were opened unto him, and he saw the Spirit of God descending like a dove, and lighting upon him:
[17] And lo a voice from heaven, saying, This is my beloved Son, in whom I am well pleased.

Mark 1
[1] The beginning of the gospel of Jesus Christ, the Son of God;
[2] As it is written in the prophets, Behold, I send my messenger before thy face, which shall prepare thy way before thee.
[3] The voice of one crying in the wilderness, Prepare ye the way of the Lord, make his paths straight.
[4] John did baptize in the wilderness, and preach the baptism of repentance for the remission of sins.
[5] And there went out unto him all the land of Judaea, and they of Jerusalem, and were all baptized of him in the river of Jordan, confessing their sins.
[6] And John was clothed with camel's hair, and with a girdle of a skin about his loins; and he did eat locusts and wild honey;
[7] And preached, saying, There cometh one mightier than I after me, the latchet of whose shoes I am not worthy to stoop down and unloose.
[8] I indeed have baptized you with water: but he shall baptize you with the Holy Ghost.
[9] And it came to pass in those days, that Jesus came from Nazareth of Galilee, and was baptized of John in Jordan.
[10] And straightway coming up out of the water, he saw the heavens opened, and the Spirit like a dove descending upon him:
[11] And there came a voice from heaven, saying, Thou art my beloved Son, in whom I am well pleased.
[12] And immediately the Spirit driveth him into the wilderness.

Luke 3
[21] Now when all the people were baptized, it came to pass, that Jesus also being baptized, and praying, the heaven was opened,
[22] And the Holy Ghost descended in a bodily shape like a dove upon him, and a voice came from heaven, which said, Thou art my beloved Son; in thee I am well pleased.
 
John 1
[25] And they asked him, and said unto him, Why baptizest thou then, if thou be not that Christ, nor Elias, neither that prophet?
[26] John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not;
[27] He it is, who coming after me is preferred before me, whose shoe's latchet I am not worthy to unloose.
[28] These things were done in Bethabara beyond Jordan, where John was baptizing.
[29] The next day John seeth Jesus coming unto him, and saith, Behold the Lamb of God, which taketh away the sin of the world.
[30] This is he of whom I said, After me cometh a man which is preferred before me: for he was before me.
[31] And I knew him not: but that he should be made manifest to Israel, therefore am I come baptizing with water.
[32] And John bare record, saying, I saw the Spirit descending from heaven like a dove, and it abode upon him.
[33] And I knew him not: but he that sent me to baptize with water, the same said unto me, Upon whom thou shalt see the Spirit descending, and remaining on him, the same is he which baptizeth with the Holy Ghost.
[34] And I saw, and bare record that this is the Son of God.

Tuesday, July 31, 2018

Blake's Imagination

First posted March 2010.

Carl Jung in his four functions characterized the fourth as intuition. A century earlier William Blake, in the system he created, called it imagination. You may have noticed that some people appear to have a great imagination and some other people less so or none.

At the age of four Blake ran screaming to his mother to report an angry God had stuck his head through his bedroom window. That in itself amply set him apart from the generality of humanity whose imagination is more limited. It also marked him as strange, someone to avoid, as most of his acquaintances seemed to do.

Years later in a letter to Butts he gave a vivid picture of the shape of his mind. Here is a passage:

Letters, To Butts, (E 722)
"When my heart knockd against the root of my tongue
With Angels planted in Hawthorn bowers
And God himself in the passing hours
With Silver Angels across my way
And Golden Demons that none can stay
With my Father hovering upon the wind
And my Brother Robert just behind
And my Brother John the evil one
In a black cloud making his mone[y]
Tho dead they appear upon my path
Notwithstanding my terrible wrath
They beg they intreat they drop their tears
Filld full of hopes filld full of fears
With a thousand Angels upon the Wind
Pouring disconsolate from behind
To drive them off & before my way
A frowning Thistle implores my stay
What to others a trifle appears
Fills me full of smiles or tears
For double the vision my Eyes do see
And a double vision is always with me
With my inward Eye 'tis an old Man grey
With my outward a Thistle across my way
"If thou goest back the thistle said
Thou art to endless woe betrayd""

(Father and brothers of course have returned from the Great Divide to appear in this vision.)

This is a cogent description of what he calls double vision, an attribute of schizophrenics as well as artists; they see what's not there to the sense based person.

The thistle (old man) cautions Blake against retreating from his imaginative creations to the commercial art orientation that Hayley encouraged for three years. One can be a corporeal friend and a spiritual enemy; such was Hayley for Blake (and no doubt we have plenty of corporeal friends).

In a later letter to Butts (Erdman 728) Blake explicates what he had meant: "if a Man is the Enemy of my Spiritual Life while he pretends to be the Friend of my Corporeal. he is a Real Enemy".

Thank God for Butts; without his encouragement Blake might not have been able to break away from Hayley's direction and resume the better course of directing himself.

Blake elevated imagination to a quality of Jesus and of those of us who are aware (in Quaker language) that there is that of God in us. Such people see "that of God" in you, with all the potentialities that the term suggests, including the thump on the head and the healing balm.

Vision of the Last Judgment; (E 565)
"Thinking as I do that the Creator of this World is a very Cruel Being & being a Worshipper of Christ I cannot help saying the Son O how unlike the Father - First God Almighty comes with a Thump on the Head Then Jesus Christ comes
with a balm to heal it."


You may have much imagination or little; but it can be cultivated!

Sunday, July 15, 2018

Severe Contentions of Friendship

First posted May 2010. 
Milton, Plate 41 [48], (E 142)  
"These are the destroyers of Jerusalem, these are the murderers
Of Jesus, who deny the Faith & mock at Eternal Life:
Who pretend to Poetry that they may destroy Imagination;
By imitation of Natures Images drawn from Remembrance
These are the Sexual Garments, the Abomination of Desolation
Hiding the Human lineaments as with an Ark & Curtains
Which Jesus rent: & now shall wholly purge away with Fire
Till Generation is swallowd up in Regeneration.
Then trembled the Virgin Ololon & replyd in clouds of despair
Is this our Feminine Portion the Six-fold Miltonic Female
Terribly this Portion trembles before thee O awful Man
Altho' our Human Power can sustain the severe contentions
Of Friendship, our Sexual cannot: but flies into the Ulro." 

And from Jerusalem, Plate 91, (E 251)

"I never made friends but by spiritual gifts;
By severe contentions of friendship & the burning fire of thought.
He who would see the Divinity must see him in his Children
One first, in friendship & love; then a Divine Family, & in the midst
Jesus will appear;" 

Alfred Ames, son of a Congregational minister in Kansas, found a better faith (for himself) in a college in Illinois when he became a Quaker. He was a man of principle and a flaming liberal, one of his principles being an abhorrence of violence; in the early forties he was spared 'conscientious objection' by a medical diagnosis of flat feet.

During the war his Quaker Meeting was dominated by a man with contrary principles: his son was a Lt. Col. in the Marine Corps. This dominating 'Quaker' tired of Alfred's youthful fulminations against violence, asked Alfred to cease, and failing that, not to come to the Meeting. But this did not deter Alfred from faithful attendance. At that point the older Friend told the younger one that if he continued he would dissolve the meeting and reassemble in some location unknown to Alfred; however that ploy didn't work.

Wikimedia Commons
Illustrations to Young's Night Thoughts
Alfred was well on his way to becoming a professional controversialist (he called himself that in later years). In due course he got his PhD in English Lit and began to teach. However somehow he found his way onto the editorial staff of the Chicago Tribune (a notoriously conservative newspaper), and eventually in charge of the editorial page, something that mystified anyone who came to know him. He served there for 30 years, much to the consternation of his many liberal friends.

Although apparently not well acquainted with Blake, Ames was a true Blakean in this sense: he enjoyed the severe contentions of friendship; as a consequence his friends among the Friends were rare, but hearty.
--------------------------------------------------------
Like Alfred Ames, Blake's friendships were few, but hearty. He also counted two kinds of friendship: corporeal and spiritual: corporeal friends want you to do well in their thought-world, their tribe. Blake had a fair number of (what we call 'fair-weather') friends who wanted him to go along with the Arts estalishment.


Chief of these was a affluent poetaster named William Hayley: "With genuine good intentions Hayley tried to cure Blake of his unprofitable and unseemly enthusiasms and secured him commissions for safely genteel projects - painting ladies' fans, for example" (from http://www.answers.com/topic/william-blake). Blake might have said, I can deal with my enemies, but God protect me from my friends; or better he might have quoted scripture as usual; as Jesus said, "And a man's foes shall be they of his own household". Hayley was supporting Blake, but Blake gave up that relationship, and began to write the sublime poetry of his later years.

Spiritual friends were another matter for Blake; he had several, but Captain Butts was the most outstanding. To him we owe the Illustrations to the Book of Job, celebrated by Christians and psychologists alike. A spiritual friend values you for who you are, recognizes your gifts and became an enabler. When the role is called up yonder, they are the ones we find closest to us.
.
.

Friday, October 13, 2017

RAM HORN'D

First posted on July 17, 2011

Ram Horn'd with Gold

A Blake Hypertext Commentary

The Spiritual Autobiography of William Blake

Edited by Larry Clayton

"Blake sent this poem to the one faithful Christian he knew who had befriended and loved him. The circumstances leave no doubt as to the identity of the One Man. The poem poetically expresses Blake's faith as it relates to God, Man and the relationship between the two. It expresses what the Christian faith has to say about the relationship as well as it can be expressed verbally. It also expresses with vivid eloquence the child like nature of the entrance to the kingdom of God. Blake here celebrates and confesses it. To interpret Blake's experience we could use any number of hackneyed phrases representing the various dialects of the language of Zion; suffice it to say that for most of them as for Blake this is the main event, the center of the Moment of Grace. At this point Jesus became and forever afterward remained the One and the ever present Reality which Blake had formerly known as the Infinite or Eternal. For Blake Jesus was a Man, the Reality of Life, and most ultimately the All. In all three instances Blake strictly followed Johnine and Pauline strains of the New Testament."

Letters, 16, Oct 1800, (E 712)  
"To my Friend Butts I write
     My first Vision of Light
     On the yellow sands sitting
     The Sun was Emitting
     His Glorious beams
     From Heavens high Streams
     Over Sea over Land
     My Eyes did Expand
     Into regions of air
     Away from all Care
     Into regions of fire
     Remote from Desire
     The Light of the Morning
     Heavens Mountains adorning
     In particles bright
     The jewels of Light
     Distinct shone & clear--
     Amazd & in fear
     I each particle gazed
     Astonishd Amazed
     For each was a Man
     Human formd.  Swift I ran
     For they beckond to me
     Remote by the Sea
     Saying.  Each grain of Sand
     Every Stone on the Land
     Each rock & each hill
     Each fountain & rill
     Each herb & each tree
     Mountain hill Earth & Sea
     Cloud Meteor & Star
     Are Men Seen Afar
     I stood in the Streams
     Of Heavens bright beams
     And Saw Felpham sweet
     Beneath my bright feet
     In soft Female charms
     And in her fair arms
     My Shadow I knew
     And my wifes shadow too
     And My Sister & Friend.
     We like Infants descend
     In our Shadows on Earth
     Like a weak mortal birth
     My Eyes more & more
     Like a Sea without shore
     Continue Expanding
     The Heavens commanding
     Till the jewels of Light
     Heavenly Men beaming bright
     Appeard as One Man
     Who Complacent began
     My limbs to infold
     In his beams of bright gold
     Like dross purgd away
     All my mire & my clay
     Soft consumd in delight
     In his bosom sun bright
     I remaind.  Soft he smild
     And I heard his voice Mild
     Saying This is My Fold
     O thou Ram hornd with gold
     Who awakest from sleep
     On the sides of the Deep
     On the Mountains around
     The roarings resound
     Of the lion & wolf
     The loud sea & deep gulf
     These are guards of My Fold
     O thou Ram hornd with gold
     And the voice faded mild
     I remaind as a Child
     All I ever had known
     Before me bright Shone
     I saw you & your wife
     By the fountains of Life
     Such the Vision to me
     Appeard on the Sea"

Image from:
Wikipedia Commons
America a Prophecy
Plate 9 

Another post: WHY RAM HORN'D?