British Museum Illustrations to Young's Night Thoughts |
Blake took seriously his work as a poet because he worked from the depths of his being - his Imagination. Although he did not claim authorship of his poems he claimed responsibility for the infinite care that he took in presenting them to the public. The moment of conception was the work of Providence; it came from what Eternally Exists. The execution of a poem or image was in the hands, ears and eyes of the artist. Although it may take years or centuries for the work to reach its audience, attention to the minute detail was necessary to convey the Imaginative content which originally inspired it.
Milton, Plate 28 [30], (E 127)
"Each has its Guard. each Moment Minute Hour Day Month & Year.
All are the work of Fairy hands of the Four Elements
The Guard are Angels of Providence on duty evermore
Every Time less than a pulsation of the artery
Is equal in its period & value to Six Thousand Years.
PLATE 29 [31]
For in this Period the Poets Work is Done: and all the Great
Events of Time start forth & are concievd in such a Period
Within a Moment: a Pulsation of the Artery."
Jerusalem, Plate 3, (E 145)
"Therefore
[Dear] Reader, [forgive] what you do not
approve, & [love] me for this energetic exertion of my
talent.
Reader! [lover] of books! [lover] of
heaven,
And of that God from whom [all books are given,]
Who in mysterious Sinais awful cave
To Man the wond'rous art of writing gave,
Again he speaks in thunder and in fire!
Thunder of Thought, & flames of fierce desire:
Even from the depths of Hell his voice I hear,
Within the unfathomd caverns of my Ear.
Therefore I print; nor vain my types shall be:
Heaven, Earth & Hell, henceforth shall live in harmony
Of the Measure, in which
the following Poem is written
We who dwell on Earth can do nothing of ourselves, every
thing is conducted by Spirits, no less than Digestion or Sleep.
[to Note the last words of Jesus, <Greek>E*do*O*n *mo*i
*p*a*s*a *e*zo*u*s*i*a *e*n o*u*r*a*n*o k*a*i *e*p*i *g*e*s
</Greek>]
When this Verse was first dictated to me I consider'd a
Monotonous Cadence like that used by Milton & Shakspeare & all
writers of English Blank Verse, derived from the modern bondage
of Rhyming; to be a necessary and indispensible part of Verse.
But I soon found that
in the mouth of a true Orator such monotony was not only awkward,
but as much a bondage as rhyme itself. I therefore have produced
a variety in every line, both of cadences & number of syllables.
Every word and every letter is studied and put into its fit
place: the terrific numbers are reserved for the terrific
parts--the mild & gentle, for the mild & gentle parts, and the
prosaic, for inferior parts: all are necessary to each other.
Poetry Fetter'd, Fetters the Human Race! Nations are Destroy'd,
or Flourish, in proportion as Their Poetry Painting and Music,
are Destroy'd or Flourish! The Primeval State of Man, was Wisdom,
Art, and Science."
Laocoon, (E 274)
"Without Unceasing Practise nothing can be done
Practise is Art If you leave off you are Lost
A Poet a Painter a Musician an Architect: the Man
Or Woman who is not one of these is not a Christian
You must leave Fathers & Mothers & Houses & Lands
if they stand in the way of ART"
Vision of Last Judgment, (E 554)
"The Last Judgment is not Fable or Allegory
but Vision Fable or Allegory are a totally distinct & inferior
kind of Poetry. Vision or Imagination is a Representation of
what Eternally Exists. Really & Unchangeably. Fable or Allegory
is Formd by the Daughters of Memory. Imagination is Surrounded
by the daughters of Inspiration who in the aggregate are calld
Jerusalem"
...
(E 559)
"these three
Persons represent Poetry Painting & Music the three Powers <in
Man> of conversing with Paradise which the flood did not Sweep
away"
...
(E 560)
"as Poetry admits not a
Letter that is Insignificant so Painting admits not a Grain of
Sand or a Blade of Grass <Insignificant> much less an
Insignificant Blur or Mark>"
...
(E 665)
"I cannot think that Real Poets have any
competition None are greatest in the Kingdom of Heaven it is so
in Poetry"
.
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