Tuesday, April 23, 2013

LAST JUDGMENT III

Since the Book of Revelation revealed the vision of John of Patmos and Blake himself received visions which informed his writing and painting, Blake was influenced by what he read in Revelation. Blake's attention to the Last Judgment reflects the imagery in Revelation.

Revelation 14
[13] And I heard a voice from heaven saying unto me, Write, Blessed are the dead which die in the Lord from henceforth: Yea, saith the Spirit, that they may rest from their labours; and their works do follow them.
[14] And I looked, and behold a white cloud, and upon the cloud one sat like unto the Son of man, having on his head a golden crown, and in his hand a sharp sickle.
[15] And another angel came out of the temple, crying with a loud voice to him that sat on the cloud, Thrust in thy sickle, and reap: for the time is come for thee to reap; for the harvest of the earth is ripe.
[16] And he that sat on the cloud thrust in his sickle on the earth; and the earth was reaped.
[17] And another angel came out of the temple which is in heaven, he also having a sharp sickle.
[18] And another angel came out from the altar, which had power over fire; and cried with a loud cry to him that had the sharp sickle, saying, Thrust in thy sharp sickle, and gather the clusters of the vine of the earth; for her grapes are fully ripe.
[19] And the angel thrust in his sickle into the earth, and gathered the vine of the earth, and cast it into the great winepress of the wrath of God.
[20] And the winepress was trodden without the city, and blood came out of the winepress, even unto the horse bridles, by the space of a thousand and six hundred furlongs.


Library of Congress
Marriage if Heaven & Hell
Plate 10

A passage in Milton which sheds light on Blake's view of the Last Judgment focuses our attention on the Last Vintage. Blake's view that the Last Judgment takes place when error is identified and repudiated is here put into the positive terms of the Last Vintage being a harvest of Truth. The vintage pressed out by the winepress is the gathering in of the accumulation of intellect as an expression of the Wisdom acquired by the whole of humanity. 
 
The Last Vintage initiates the Awakening of Albion through which he become able to separate the classes of men into their proper configuration. The redeemed and reprobate are contraries who can be expressed simultaneously as parallel but complementary aspects in a paradigm. The elect is a negation which aims to eliminate the fine balance which the contraries can achieve.  The contraries when bound together are prepared for the consummation or transformation by fire or spirit to higher consciousness. The negation cannot advance but must continue in the cycle of struggle until its limitations are recognized.

 
 
Milton, PLATE 25 [27], (E 121)
"Loud shout the Sons of Luvah, at the Wine-presses as Los descended
With Rintrah & Palamabron in his fires of resistless fury.

The Wine-press on the Rhine groans loud, but all its central beams
Act more terrific in the central Cities of the Nations
Where Human Thought is crushd beneath the iron hand of Power.    
There Los puts all into the Press, the Opressor & the Opressed
Together, ripe for the Harvest & Vintage & ready for the Loom.

They sang at the Vintage. This is the Last Vintage! & Seed
Shall no more be sown upon Earth, till all the Vintage is over
And all gatherd in, till the Plow has passd over the Nations     
And the Harrow & heavy thundering Roller upon the mountains

And loud the Souls howl round the Porches of Golgonooza
Crying O God deliver us to the Heavens or to the Earths,
That we may preach righteousness & punish the sinner with death
But Los refused, till all the Vintage of Earth was gatherd in.  

And Los stood & cried to the Labourers of the Vintage in voice of awe.

Fellow Labourers! The Great Vintage & Harvest is now upon Earth
The whole extent of the Globe is explored: Every scatterd Atom
Of Human Intellect now is flocking to the sound of the Trumpet
All the Wisdom which was hidden in caves & dens, from ancient    
Time; is now sought out from Animal & Vegetable & Mineral

The Awakener is come. outstretchd over Europe! the Vision of God is fulfilled
The Ancient Man upon the Rock of Albion Awakes,
He listens to the sounds of War astonishd & ashamed;
He sees his Children mock at Faith and deny Providence          
Therefore you must bind the Sheaves not by Nations or Families
You shall bind them in Three Classes; according to their Classes
So shall you bind them. Separating What has been Mixed
Since Men began to be Wove into Nations by Rahab & Tirzah
Since Albions Death & Satans Cutting-off from our awful Fields;  
When under pretence to benevolence the Elect Subdud All
From the Foundation of the World. The Elect is one Class: You
Shall bind them separate: they cannot Believe in Eternal Life
Except by Miracle & a New Birth. The other two Classes;
The Reprobate who never cease to Believe, and the Redeemd,       
Who live in doubts & fears perpetually tormented by the Elect
These you shall bind in a twin-bundle for the Consummation--
But the Elect must be saved [from] fires of Eternal Death,
To be formed into the Churches of Beulah that they destroy not the Earth"

Sunday, April 21, 2013

LAST JUDGMENT II

In Blake's myth, during man's passage through generation his true lineaments are not naked but are clothed in garments. Among the garments are the states through which man passes. States 'seem to be,' but are only transient stages of development. Two states, which are perhaps the master or controlling states, Blake names Adam & Satan. The states are both within a man, and experienced outwardly. In the state called Satan, man is blind to Eternal Realities. He has reached the 'Limit of Opacity' in which the possibility of perceiving the infinite in all things is obscured from his sight. The state called Adam which is Blake's 'Limit of Contraction', provides the possibility of spiritual evolution. Adam is  physical man with the seed of God planted within his Soul. The mercy provided in generation is this opportunity, this possibility that the door of Eternity may reopen and that the individual may enter. Within man the two limits, Satan & Adam, find their home and struggle to possess the psyche on its journey.  

The Judgment to Blake is the event when the individual 'rejects Error & Embraces Truth.' Although Blake uses the term 'Last Judgment' he does not mean that his event occurs at the end of mortal life or that it occurs only once in a lifetime. Satan may be cast out and a vision of Eternity may be received whenever man recognizes his own Humanity and Brotherhood through forgiveness.

Sketch for Plate 26 of Jerusalem

Milton, PLATE 32 [35], (E 131) 
"But the Divine Humanity & Mercy gave us a Human Form                                         
Because we were combind in Freedom & holy Brotherhood"

Vision of Last Judgment, (E 562)
"What are all the Gifts of the
Spirit but Mental Gifts whenever any Individual Rejects Error &
Embraces Truth a Last Judgment passes upon that Individual" 

Four Zoas, Night IV, Page 56, (E 338)
"And first he found the Limit of Opacity & namd it Satan 
In Albions bosom for in every human bosom these limits stand 
And next he found the Limit of Contraction & namd it Adam 
While yet those beings were not born nor knew of good or  Evil"  
Jerusalem, Plate 42,  (E 189)     
"There is a limit of Opakeness, and a limit of Contraction;
In every Individual Man, and the limit of Opakeness,             
Is named Satan: and the limit of Contraction is named Adam.
But when Man sleeps in Beulah, the Saviour in mercy takes
Contractions Limit, and of the Limit he forms Woman: That
Himself may in process of time be born Man to redeem
But there is no Limit of Expansion! there is no Limit of Translucence.   
In the bosom of Man for ever from eternity to eternity."  
Here are some of the teachings of the New Testament on judgment and condemnation which are reflected in Blake's vision: 

Luke 6
[37] Judge not, and ye shall not be judged: condemn not, and ye shall not be condemned: forgive, and ye shall be forgiven: 


 John 8
[10] When Jesus had lifted up himself, and saw none but the woman, he said unto her, Woman, where are those thine accusers? hath no man condemned thee?
[11] She said, No man, Lord. And Jesus said unto her, Neither do I condemn thee: go, and sin no more. 


 1ST John 3
[20] For if our heart condemn us, God is greater than our heart, and knoweth all things.
[21] Beloved, if our heart condemn us not, then have we confidence toward God.


Friday, April 19, 2013

LAST JUDGMENT

The term Last Judgment is not mentioned in the Bible. In a parable of the Kingdom in Matthew's gospel Jesus speaks of the division of the nations along the lines of those who provide for the needy and those who do not: 'Inasmuch as ye did it not to one of the least of these, ye did it not to me. And these shall go away into everlasting punishment: but the righteous into life eternal.' (Matthew 25:45-46) Blake saw the Last Judgment as the final casting away of error so that the just would no longer be oppressed by it.

In Blake's paintings which he named Visions of the Last Judgment, he showed the division between those going to 'life eternal' and those falling away from the vision of Eternity which they rejected. His description of one of his paintings of the Last Judgment (now lost) includes this passage which demonstrates how the images which filled the Bible and his poetry appeared in close proximity in his picture. He mentions all of these images of what appeared in just one small section of his vision:
Savior & Redeemer
Holy Spirit like a Dove
Heaven
Cherubim
Ark of the Covenant
Dove of Peace
Curtains
Candlestick
Table of Shew bread
Glorification of Angels
Harps
Temple
Mount of God
River of Life
Tree of Life
temples, pinnacles, tents, pavilions, gardens, groves
Paradise
Jesus
Beams of Glory
Infants representing Eternal Births of Intellect

Vision of the Last Judgment, (E 562)
   "Over the Head of the Saviour & Redeemer The Holy
Spirit like a Dove is surrounded by a blue Heaven in which are
the two Cherubim that bowd over the Ark for here the temple is
opend in Heaven & the Ark of the Covenant is as a Dove of Peace  
The Curtains are drawn apart Christ having rent the Veil The
Candlestick & the Table of Shew bread appear on Each side a
Glorification of Angels with Harps surrou[n]d the Dove 
     The Temple stands on the Mount of God from it flows on each
side the River of Life on whose banks Grows the tree of Life
among whose branches temples & Pinnacles tents & pavilions
Gardens & Groves Display Paradise with its Inhabitants walking up
& down in Conversations concerning Mental Delights 
     Here they are no longer talking of what is Good &
Evil or of what is Right or Wrong & puzzling themselves in Satans
Labyrinth But are Conversing with Eternal
Realities as they Exist in the Human Imagination   We are in a
World of Generation & death & this world we must cast off if we
would be Painters Such as Rafa[e]l Mich Angelo & the
Ancient Sculptors. if we do not cast off this world we shall be
only Venetian Painters who will be cast off & Lost from Art 
     Jesus is surrounded by Beams of Glory in which are
seen all around him Infants emanating from him   these represent
the Eternal Births of Intellect from the divine Humanity" 
British Museum
Illustrations to Young's Night Thoughhts 

Thursday, April 18, 2013

Images of Truth Plus

(This post may be considered a comment and an amplification of Image of Truth):

The word 'image' can easily be used as a symbol with complex meaning. When Blake spoke 

of 'image of Truth' it was with the realization the Truth produces many images. Each image 
is partial and inadequate for encompassing Truth, but as images they are valuable 
illuminations of facets of Truth. Blake used the term 'imagination' more the the term 'image.' 
But imagination was to Blake the ability to manipulate images in order that Truth be 
revealed.


Blake's production of images in poetry and painting is only the tip of the iceberg. Blake saw 
the things he read, including the Bible, as containing images of underlying truth which could 
not be communicated literally. He related to the natural world as a source of images which 
explained eternal truth. His awareness of the language of images provided the connections 
through which he could draw together the pieces of Eternity scattered in time. Images to 
Blake were not simple reflections as we may see in our mirrors, but the way in which Eternity 
becomes manifest in time.


Marriage of Heaven & Hell, Plate 8, (E 37)
"Every thing possible to be believ'd is an
image of truth."   


All Religions Are One, Plate 3, (E 1)

"No man can think write or speak from his heart,

but he must intend truth."


Songs of Innocence & of Experience, Song 54, (E 31)
"The Voice of the Ancient Bard.
Youth of delight come hither:
And see the opening morn,
Image of truth new born.
Doubt is fled & clouds of reason.
Dark disputes & artful teazing.
Folly is an endless maze,
Tangled roots perplex her ways,

How many have fallen there!
They stumble all night over bones of the dead,
[A young Blake was not concerned with Ezekiel 37 at this point.]
And feel they know not what but care
And wish to lead others, when they should be led."

Marriage of Heaven & Hell, Plate 10, E 38
"Truth can never be told so as to be understood, and not be believ'd."

Jerusalem, Plate 55, (E 205)
 "He who would do good to another, must do it in Minute Particulars
General Good is the plea of the scoundrel hypocrite & flatterer:
For Art & Science cannot exist but in minutely organized Particulars
And not in generalizing Demonstrations of the Rational Power.
The Infinite alone resides in Definite & Determinate Identity
Establishment of
Truth depends on destruction of Falshood continually"  

Vision of Last Judgment, (E 562)
"All Life consists of these Two Throwing off Error
continually & recieving
Truth or Wise Men into our
Company Continually

[In his fundamental theology Blake disallowed  ‘good and evil’ and
replaced it with ‘truth and error’; Ellie amply documented that with extracts
from ‘Vision of the Last Judgment’.]
...
What are all the Gifts of the
Spirit but Mental Gifts whenever any Individual Rejects Error &
Embraces
Truth a Last Judgment passes upon that Individual"

Vision of Last Judgment, (E 563)
"These represent those who tho willing were
too weak to Reject Error without the Assistance & Countenance of
those Already in the
Truth for a Man Can only Reject Error by the
Advice of a Friend or by the Immediate Inspiration of God it is
for this Reason among many others that I have put the Lords
Supper on the Left hand of the [Picture] Throne for it appears so
at the Last Judgment for a Protection"

Vision of Last Judgment, (E 565)
"Error is
Created Truth is Eternal Error or Creation will be Burned Up &
then & not till then
Truth or Eternity will appear It is Burnt up
the Moment Men cease to behold it I assert for My self that I do
not behold the Outward Creation & that to me it is hindrance &
not Action it is as the Dirt upon my feet No part of Me."

Blake radically refuted the conventional understanding that sinners will
be tormented forever with ‘everlasting burnings’.


And the Lord passed by before him, and proclaimed, The Lord, The Lord God, merciful and 
gracious, longsuffering, and abundant in goodness and truth,

He is the Rock, his work is perfect: for all his ways are judgment: a God of truth and without 
iniquity, just and right is he.

Now therefore fear the Lord, and serve him in sincerity and in truth: and put away the gods which 
your fathers served on the other side of the flood, and in Egypt; and serve ye the Lord.

And Solomon said, Thou hast shewed unto thy servant David my father great mercy, according as he 
walked before thee in truth, and in righteousness, and in uprightness of heart with thee; and thou 
hast kept for him this great kindness, that thou hast given him a son to sit on his throne, as it is this 
day.

Lead me in thy truth, and teach me: for thou art the God of my salvation; on thee do I wait all the 
day.

For thy mercy is great unto the heavens, and thy truth unto the clouds.

The Lord is nigh unto all them that call upon him, to all that call upon him in truth.
O Lord, thou art my God; I will exalt thee, I will praise thy name; for thou hast done wonderful 
things; thy counsels of old are faithfulness and truth.

Now I Nebuchadnezzar praise and extol and honour the King of heaven, all whose works are truth
and his ways judgment: and those that walk in pride he is able to abase.

The law of truth was in his mouth, and iniquity was not found in his lips: he walked with me in 
peace and equity, and did turn many away from iniquity.

And when they were come, they say unto him, Master, we know that thou art true, and carest for no 
man: for thou regardest not the person of men, but teachest the way of God in truth: Is it lawful to 
give tribute to Caesar, or not?

For the law was given by Moses, but grace and truth came by Jesus Christ.

Jesus saith unto him, I am the way, the truth, and the life: no man cometh unto the Father, but by 
me.

It was among these and the other 224 places in the Bible that Blake learned the most about Truth.

Wednesday, April 17, 2013

IMAGE OF TRUTH

British Museum
Illustrations to Edward Young's
Night Thoughts
If you have ever made a black and white photograph by going through all of the stages from clicking the camera to viewing your completed picture, you should have a good grasp of the concept of images. You choose a subject to be photographed, adjust the camera, view the image through the viewer and click the shutter. Now you have an exposed piece of film which recorded more and less amounts of reflected light. You have created an image but it is not visible to your eye. You develop the film in chemicals which create on the film a visible image of the object which was visible through the camera. The image is however a reversal of the patterns of light in the object you wanted to record. So you use the developed film to expose photographic paper to the patterns of light. Finally the photographic paper is placed in chemicals which selectively record light and dark in the same patterns as were present it the object you saw through the camera.

The photograph is the image (without color) of the object which you wanted to record. However the process of creating that image involved a whole series of images which were stages along the way. The image which the lens of the camera collected and sent to the film when the shutter was opened, the invisible image on the exposed film, the reversed image on the developed film, the pattern of light which is sent from the enlarger to the photographic paper: all these, and more, are true images of the original object.

Variables which may occur throughout the process would have an effect on the final image so that multiple photographs of differing appearances could be produced by the same process from the same object.  

This account has been to demonstrate how the word 'image' can easily be used as a symbol with complex meaning. When Blake spoke of 'image of Truth' it was with the realization the Truth produces many images. Each image is partial and inadequate for encompassing Truth, but as images they are valuable illuminations of facets of Truth. Blake used the term 'imagination' more than the term 'image.' But imagination was to Blake the ability to manipulate images in order that Truth be revealed.

Blake's production of images in poetry and painting is only the tip of the iceberg. Blake saw the things he read, including the Bible, as containing images of underlying truth which could not be communicated literally. He related to the natural world as a source of images which explained eternal truth. His awareness of the language of images provided the connections through which he could draw together the pieces of Eternity scattered in time. Images to Blake were not simple reflections as we may see in our mirrors, but the way in which Eternity becomes manifest in time.

Marriage of Heaven & Hell, Plate 8, (E 37) 
"Every thing possible to be believ'd is an image of truth."    
All Religions Are One, Plate 3, (E 1)
"No man can think write or speak from his heart,
but he must intend truth." 


Songs of Innocence & of Experience, Song 54, (E 31)
"The Voice of the Ancient Bard.
Youth of delight come hither:
And see the opening morn,
Image of truth new born.
Doubt is fled & clouds of reason.
Dark disputes & artful teazing.
Folly is an endless maze,
Tangled roots perplex her ways,

How many have fallen there!
They stumble all night over bones of the dead,
And feel they know not what but care
And wish to lead others, when they should be led."
Marriage of Heaven & Hell, Plate 10, E 38
"Truth can never be told so as to be understood, and not be believ'd."
Jerusalem, Plate 55, (E 205)
"He who would do good to another, must do it in Minute Particulars 
General Good is the plea of the scoundrel hypocrite & flatterer:
For Art & Science cannot exist but in minutely organized Particulars
And not in generalizing Demonstrations of the Rational Power.
The Infinite alone resides in Definite & Determinate Identity
Establishment of Truth depends on destruction of Falshood continually"    
Vision of Last Judgment, (E 562)
"All Life consists of these Two Throwing off Error 
continually & recieving Truth or Wise Men into our
Company Continually
...
What are all the Gifts of the
Spirit but Mental Gifts whenever any Individual Rejects Error &
Embraces Truth a Last Judgment passes upon that Individual" 
 
Vision of Last Judgment, (E 563)
"These represent those who tho willing were
too weak to Reject Error without the Assistance & Countenance of
those Already in the Truth for a Man Can only Reject Error by the
Advice of a Friend or by the Immediate Inspiration of God it is
for this Reason among many others that I have put the Lords
Supper on the Left hand of the [Picture] Throne for it appears so
at the Last Judgment for a Protection" 
 
Vision of Last Judgment, (E 565)
"Error is
Created Truth is Eternal Error or Creation will be Burned Up &
then & not till then Truth or Eternity will appear It is Burnt up
the Moment Men cease to behold it I assert for My self that I do
not behold the Outward Creation & that to me it is hindrance &
not Action it is as the Dirt upon my feet No part of Me."
 
Annotations to Watson, (E 613)
"The Man who pretends to be a modest enquirer into the truth of a self
evident thing is a Knave   The truth & certainty of Virtue &
Honesty i.e Inspiration needs no one to prove it   it is Evident
as the Sun & Moon He who stands doubting of what he
intends whether it is Virtuous or Vicious knows not what Virtue
means. no man can do a Vicious action & think it to be Virtuous.
no man can take darkness for light. he may pretend to do so & may
pretend to be a modest Enquirer. but is a Knave"
Annotations to Bacon, (E 621)
"Self Evident Truth is one Thing and Truth the result of
Reasoning is another Thing Rational Truth is not the Truth of
Christ but of Pilate   It is the Tree of the Knowledge of Good &
Evil"
______________________________________________________________
Here are two posts on Blake's printing process:
Printing House
Printing House II 
 

Monday, April 15, 2013

STONE & FIRE

Wikimedia
Original in Morgan Library & Museum
Illustrations of the Book of Job
Job's Evil Dreams
Butts Set, Plate 11
 Two sides of man's psyche can be seen in the images stone and fire. Throughout Blake's poetry and visual images we see these symbols recurring but they are never pinned down or defined in concrete terms. To define them in concrete terms would be to make them into 'stones' and remove the possibility that they become 'fire.'

The level of truth which can be put into laws or doctrine or scientific definitions is well represented by stone. It is hard and inflexible; it is not amenable to change. Fire, on the contrary, ever changing itself, is the agent of change. Fire, as a level of truth, is active not passive, responsive not rejecting, forgiving not condemning. In Biblical terms stone is the Old Testament, fire the New Testament; stone the priest, fire the prophet; stone the law, fire the gospel; stone is matter, fire is spirit. Becoming receptive to higher levels of spiritual development involves moving from the truth which is known, to the spirit which is unknowable. Stone is codified truth; fire is experienced truth. The process of developing spiritual consciousness involves both stone and fire because spirit once achieved must produce new truth which becomes stone before it can again become transforming fire. 
   

Jerusalem, Plate 49, (E 199)
"They are beginning to form Heavens & Hells in immense
Circles: the Hells for food to the Heavens: food of torment,
Food of despair: they drink the condemnd Soul & rejoice
In cruel holiness, in their Heavens of Chastity & Uncircumcision
Yet they are blameless & Iniquity must be imputed only           
To the State they are enterd into that they may be deliverd:
Satan is the State of Death, & not a Human existence:
But Luvah is named Satan, because he has enterd that State.
A World where Man is by Nature the enemy of Man
Because the Evil is Created into a State. that Men               
May be deliverd time after time evermore. Amen.
Learn therefore O Sisters to distinguish the Eternal Human
That walks about among the stones of fire in bliss & woe
Alternate! from those States or Worlds in which the Spirit travels:
This is the only means to Forgiveness of Enemies"
Marriage of Heaven & Hell, Plate 21 and 24, (E 43) 
" I tell you, no virtue can exist
without breaking these ten commandments: Jesus was all virtue,
and acted from impulse: not from rules.
  When he had so spoken: I beheld the Angel who stretched out
his arms embracing the flame of fire & he was consumed and arose
as Elijah."
 
Vision of Last Judgment, (E 559)
"By the side of Seth is Elijah he comprehends all the
Prophetic Characters he is seen on his fiery Chariot bowing
before the throne of the Saviour." 
  
Acting from the level of stone leads to division; embracing the the flame leads to reconciliation of the contraries.

Sunday, April 14, 2013

Fourfold I


Albion is the giant figure who represents Man. Blake’s myth consists of the life, death, and resurrection of Albion. The ‘heavenly Albion’ is One, the condition for which Jesus prayed in the Gospel of John 17:21.


However  Albion fell, like Adam did in the Garden.  He fell; we fell, everyone of us. Blake’s myth goes into great detail about how we fell. Albion fell essentially into four parts:


His head, heart, loins and body separated, became selfish and strove for dominion.

Blake called them Urizen, Luvah, Urthona (heavenly) or Los (carnally), and Tharmas.


The Eternal Man was a fourfold Unity; when Albion fell, it was into the four parts.
Blake called the four parts, the four zoas.  His first very long poem had that name (although originally called ‘Vala’).





                          (From Milton)

Each of the four zoas had an Emanation

Ahania was the emanation of Urizen
Vala was the emanation of Luvah
Enitharmon was the emanation of Los
Enion was the emanation of Tharmas



Prime biblical sources for the Four Zoas is found at Ezekiel 1 and Revelation 4 and 7.
Ezekiel 1:4-10:
4] And I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it, and out of the midst thereof as the colour of amber, out of the midst of the fire.
[5] Also out of the midst thereof came the likeness of four living creatures. And this was their appearance; they had the likeness of a man.
[6] And every one had four faces, and every one had four wings.
[7] And their feet were straight feet; and the sole of their feet was like the sole of a calf's foot: and they sparkled like the colour of burnished brass.
[8] And they had the hands of a man under their wings on their four sides; and they four had their faces and their wings.
[9] Their wings were joined one to another; they turned not when they went; they went every one straight forward.
[10] As for the likeness of their faces, they four had the face of a man, and the face of a lion, on the right side: and they four had the face of an ox on the left side; they four also had the face of an eagle.

Revelation 4:6-7
[6] And before the throne there was a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, were four beasts full of eyes before and behind.
[7] And the first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle.
[8] And the four beasts had each of them six wings about him; and they were full of eyes within: and they rest not day and night, saying, Holy, holy, holy, Lord God Almighty, which was, and is, and is to come.
[9] And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever,



From Blake:

Letter 23, to Thomas Butts, (E 722)
"Now I a fourfold vision see
And a fourfold vision is given to me
Tis fourfold in my supreme delight
And three fold in soft Beulahs night
And twofold Always. May God us keep
From Single vision & Newtons sleep"

In the Preface of The Book of Milton:

Bring me my Bow of burning gold;
Bring me my Arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire

From Jerusalem, Plate 98, (E 257)
"A Sun of blood red wrath surrounding heaven on all sides around
Glorious incompreh[en]sible by Mortal Man & each Chariot was Sexual Threefold
And every Man stood Fourfold, each Four Faces had. One to the West
One toward the East One to the South One to the North. the Horses Fourfold
And the dim Chaos brightend beneath, above, around! Eyed as the Peacock
According to the Human Nerves of Sensation, the Four Rivers of the Water of Life"

Saturday, April 13, 2013

FLEXIBLE SENSES

Wikimedia Commons
Library of Congress 
Book of Urizen
Copy G, Plate 11
When man is enclosed in a material body he loses the fluctuating sensation he enjoyed in Eternity and acquires characteristics of solidity and inflexibility. The restraints and limitations which we endure in our physical bodies will fall away when we reenter our spiritual bodies. We will once again experience time and space as fluid movements which respond to our ability to perceive without restriction. Our senses will no longer be narrow chinks in our caverned skull but panoramic receptors of infinite worlds of delight.  


Urizen, Plate 3, (E 71)
1. Earth was not: nor globes of attraction
The will of the Immortal expanded
Or contracted his all flexible senses.
Death was not, but eternal life sprung
Europe, Plate 1, (E 60)
"Preludium

The nameless shadowy female rose from out the breast of Orc:
Her snaky hair brandishing in the winds of Enitharmon,
And thus her voice arose.
...
Plate 2
Unwilling I look up to heaven! unwilling count the stars!
Sitting in fathomless abyss of my immortal shrine.
I sieze their burning power
And bring forth howling terrors, all devouring fiery kings.

Devouring & devoured roaming on dark and desolate mountains      
In forests of eternal death, shrieking in hollow trees.
Ah mother Enitharmon!
Stamp not with solid form this vig'rous progeny of fires.

I bring forth from my teeming bosom myriads of flames.
And thou dost stamp them with a signet, then they roam abroad    
And leave me void as death:
Ah! I am drown'd in shady woe, and visionary joy."

Urizen, Plate 4, (E 71)    
"4: From the depths of dark solitude. From
The eternal abode in my holiness,
Hidden set apart in my stern counsels
Reserv'd for the days of futurity,
I have sought for a joy without pain,                   

For a solid without fluctuation
Why will you die O Eternals?
Why live in unquenchable burnings?"

Four Zoas, Night V, Page 57, (E 338)
"Infected Mad he dancd on his mountains high & dark as heaven
Now fixd into one stedfast bulk his features stonify
From his mouth curses & from his eyes sparks of blighting
Beside the anvil cold he dancd with the hammer of Urthona
Terrific pale. Enitharmon stretchd on the dreary Earth   
Felt her immortal limbs freeze stiffning pale inflexible
His feet shrink withring from the deep shrinking & withering 
And Enitharmon shrunk up all their fibres withring beneath
As plants witherd by winter leaves & stems & roots decaying
Melt into thin air while the seed drivn by the furious wind      
Rests on the distant Mountains top. So Los & Enitharmon
Shrunk into fixed space stood trembling on a Rocky cliff
Yet mighty bulk & majesty & beauty remaind but unexpansive
As far as highest Zenith from the lowest Nadir. so far shrunk 
Los from the furnaces a Space immense & left the cold           
Prince of Light bound in chains of intellect among the furnaces
But all the furnaces were out & the bellows had ceast to blow"