Previously posted April 2023.
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Wikipedia Commons Jerusalem Plate 26, Copy A |
Ram Horn'd with Gold
CHAPTER FOUR
Faith
iii
Sin and Forgiveness
If the primary moral wrong is hindering, the primary grace is forgiveness. Redemption came for Blake when forgiveness first entered the horizon of his vision; it increasingly came to dominate it. Prior to 1800 with all his denunciations of Urizen, the Restrainer, and of morality Blake was growing more and more into the role of judge. He was becoming in fact a judge of judges. The later Lambeth books witness the resultant decrease in vitality; in the language of Zion he suffered a loss of faith. It coincided with a slowly dawning realization that Urizen had infested his own mind all the while he was denouncing him in others. There awakened in his mind a new awareness of sin, a sin more basic than hindering others, or rather an awareness of the inner cause of hindering. He called it the Selfhood, the Spectre, Satan. As many of us have since that day, Blake realized that he saw the God-playing in others because he was so good at it himself. This new vision of his Selfhood led to the Moment of Grace.
At Felpham, in the major crisis of his life, he faced the need to forgive both the impositions of his corporeal friend, Hayley, and the resentful thunderer, William Blake, as well. The appearance of his 'first Vision of Light' marks the coming of Christ into his life with the power of this forgiveness; henceforth he called him Jesus, the Forgiveness.
The old urizenic monstrosity that had haunted him, first in the outer world and increasingly as a component of his own psyche, was recognized, accepted, subdued, and forgiven. It was undoubtedly the greatest event of his life, a new birth of hope at the age of 43. He shared with us the psychic unfolding of this experience in Night vii of 'The Four Zoas' where Los embraces his Spectre (equivalent to Jung's acceptance of the shadow) and soon thereafter finds Urizen miraculously changed:
"Startled was Los; he found his Enemy Urizen now In his hands; he wonder'd that he felt love & not hate. His whole soul loved him; he beheld him an infant Lovely...."
Has anyone better portrayed the psychodynamics of forgiveness? In order to forgive you first withdraw the projection, then you forgive yourself. It's your baby!
We can't say that's the end of the story; in Night viii Urizen continues to afflict life with his judgments, hostility and violence; Satan comes forth from his War. The Saviour dies for him, and we are still waiting for the ultimate victory. Nor was Blake himself fully delivered from the resentments and self justifications of the old man. Hard times ahead, the deceitfulness and opprobrium of others continued to afflict and to warp his psyche and caused him to participate in sin (mostly by suffering through the sins of others against him), but now he knew the answer: through recurring awareness and Self-annihilation he could forgive again and again. The wheat and tares continued to grow together.
Blake had a deep grasp of what students of the Bible have called the kenosis. At his Moment of Grace it became for him an existential reality. He rewrote 4Z to show Jesus throughout the drama coming from above, hovering over Mankind, descending into mortal flesh to join us and to take on our burdens, our sorrow and pain and travail. Blake referred to this as the "dark Satanic body". This is the body we all wear until Jesus glorifies it in us.
According to Blake's faith this coming of Jesus is the ultimate act of forgiveness for what we have become in our brokenness. It empowers us to become through a new birth what we were originally and what we are called to be again. The new birth is an alteration of consciousness. Blake had an inkling of this as early as 'The Marriage of Heaven and Hell', where he referred to it as "an improvement of sensual enjoyment." In the same plate he referred to it as a cleansing of the "doors of perception" and likened the former state to life in Plato's cave.
In the lovely "first Light" poem quoted below he used the thoroughly biblical figure of Jesus purging away "all my mire and my clay". Forgiveness is not a temporal event, but an eternal one. The Lamb of God was slain from the foundation of the world. We must forgive not once, but seventy times seven times. Blake deals with sin and forgiveness as ultimates in his notebook poem, "My Spectre around me night and day". The poem speaks primarily to the advanced student, but with crystal clarity stanza 14 bears on the primary grace:
"& Throughout all Eternity
I forgive you you forgive me
As our dear Redeemer said
This the Wine & this the Bread"The unforgiving, accusing, egocentric, spectrous Selfhood is the stuff of Ulro, the life that is Eternal Death. Forgiveness through Self-annihilation is the stuff of that life which is life indeed. In the eternal realm Good and Evil, Virtue and Sin, all are forgiven and replaced by Truth and Error, which constitute the matter of the eternal wars of love. We fight these with Blake's weapons (the burning arrows of thought, etc.) or with Paul's "whole armor of God". Error meets an eternal consummation as we grow closer and closer to the Perfect Man. The apocalypse in Blake's structure of faith comes as an alteration of consciousness by which "this world" fades out (is consumed) and is replaced by the Eternal. Albion awakes. "Whenever any Individual Rejects Error and Embraces Truth, a Last Judgment passes upon that Individual".
This was Blake's religion; unfortunately he does not seem to have found it in any of the churches which he knew. Instead many of his deepest convictions directly contravened the prevailing theology. He discovered that he "must create a system, or be enslated by another mans". The pages that follow trace some of the contrarieties between Blake's vision of eternal reality and the mainstream of Christian orthodoxy.
Letters, To Thomas Butts, (E 712) To my Friend Butts I write
My first Vision of Light
On the yellow sands sitting
The Sun was Emitting
His Glorious beams
From Heavens high Streams
Over Sea over Land
My Eyes did Expand
Into regions of air
Away from all Care
Into regions of fire
Remote from Desire
The Light of the Morning
Heavens Mountains adorning
In particles bright
The jewels of Light
Distinct shone & clear--
Amazd & in fear
I each particle gazed
Astonishd Amazed
For each was a Man
Human formd. Swift I ran
For they beckond to me
Remote by the Sea
Saying. Each grain of Sand
Every Stone on the Land
Each rock & each hill
Each fountain & rill
Each herb & each tree
Mountain hill Earth & Sea
Cloud Meteor & Star
Are Men Seen Afar
I stood in the Streams
Of Heavens bright beams
And Saw Felpham sweet
Beneath my bright feet
In soft Female charms
And in her fair arms
My Shadow I knew
And my wifes shadow too
And My Sister & Friend.
We like Infants descend
In our Shadows on Earth
Like a weak mortal birth
My Eyes more & more
Like a Sea without shore
Continue Expanding
The Heavens commanding
Till the jewels of Light
Heavenly Men beaming bright
Appeard as One Man
Who Complacent began
My limbs to infold
In his beams of bright gold
Like dross purgd away
All my mire & my clay
Soft consumd in delight
In his bosom sun bright
I remaind. Soft he smild
And I heard his voice Mild
Saying This is My Fold
O thou Ram hornd with gold
Who awakest from sleep
On the sides of the Deep
On the Mountains around
The roarings resound
Of the lion & wolf
The loud sea & deep gulf
These are guards of My Fold
O thou Ram hornd with gold
And the voice faded mild
I remaind as a Child
All I ever had known
Before me bright Shone
I saw you & your wife
By the fountains of Life
Such the Vision to me Appeard on the Sea"
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